The Silver Age Superman

Người đăng: Unknown on Thứ Tư, 19 tháng 12, 2007

The Silver Age Superman was dramatically different from the Golden Age Superman. Aside from the very early stories, the Golden Age Superman tales tended to be more of a whimsical series. Perhaps sensing that Superman was too powerful to face ordinary crooks, the Golden Age Superman generally found himself up against conmen like J. Wilber Wolfingham, or other enemies who used guile and cunning like the Prankster or Luthor.

The other option was to weaken Superman, and this DC, especially under Weissinger's editorship, began pursuing with a vengeance. Although Green Kryptonite had been introduced in the comics as early as 1949, and in the Superman radio series years earlier than that, it had only featured in occasional stories prior to the Silver Age.

In Adventure Comics #255, Red Kryptonite made its first appearance in a Superboy story. Red K had an unpredictable effect on Kryptonians, and what's more, each piece affected them differently, conveniently for plot purposes a period of exactly 24 hours. It would be quite a task to list all the changes that Red K worked on Superman over the years, but a short listing includes making him only able to speak and write Kryptonese, turning him into a dragon, causes him to lose his powers temporarily, and even split him into two people--one Superboy, one Clark Kent.



DC expanded the Kryptonite line to three varieties in Superman #157. Quex-Ul, a Phantom Zone Prisoner, is released and vows to get revenge on Superman for his imprisonment. He has observed Gold K taking away the powers of a Krytonian beast permanently, and knows it will do the same to Superman.

Of course, the problem with Gold K is that being permanent, DC could never use it on Superman, only threaten its use.

In addition to Kryptonite, we learned that Superman had another vulnerability: Magic. This required the return of a Golden Age villain, Mr Mxyzptlk (although in the GA he was known as Mxyztplk), who proceeded to appear with alarming regularity. Several other characters used magic to cause trouble for Superman as well:



We also learned that Superman lost his powers under the influence of a sun that was not yellow, like Earth's:


The funny thing is that whenever the plot called for Superman to pick up the nearest mountain, they'd have him do it without blinking an eye, which just kept up the pressure to weaken him.
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I've Got Something to Tell You, Honey...

Người đăng: Unknown on Thứ Ba, 11 tháng 12, 2007

In Flash #165 (Nov 1966), Barry Allen and Iris West finally get married. This was not DC's first wedding; Aquaman and Mera had finally tied the knot in Aquaman #18 (Nov-Dec 1964), Hawkman and Hawkgirl had been married when they arrived on Earth, and Ralph and Sue Dibney were wed immediately before the Elongated Man story in Detective #327 (May 1964). Reed Richards and Sue Storm over at Marvel had also married in Fantastic Four Annual #3 (1965).

But this wedding was different because it was the first time a superhero had gotten married without his wife knowing his double identity. This created some additional tension for the Scarlet Speedster:



So for the next year we would periodically see Barry musing his dilemma.

Ironically, this point had supposedly been settled before in Flash #156. An alien had arrived on Earth, letting everybody know that Barry Allen was the Flash. But at the end Barry has a chance to go backwards in time and change that memory. But he asks Iris for permission:



Despite that pledge, he finally decides to do the big reveal on their first anniversary. Of course there are only two real ways to go with this kind of moment from a plotting perspective, and DC chose the more amusing one:



The story (as it happens) was also Carmine Infantino's swan song on the Flash, so this is an especially poignant moment.
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#006. The top 100 books of all time

Người đăng: Unknown on Chủ Nhật, 25 tháng 11, 2007

Full list of the 100 best works of fiction, alphabetically by author, as determined from a vote by 100 noted writers from 54 countries as released by the Norwegian Book Clubs. Don Quixote was named as the top book in history but otherwise no ranking was provided.

Albert Camus, France, (1913-1960), The Stranger

Alfred Doblin, Germany, (1878-1957), Berlin Alexanderplatz

Anton P Chekhov, Russia, (1860-1904), Selected Stories

Astrid Lindgren, Sweden, (1907-2002), Pippi Longstocking

Charles Dickens, England, (1812-1870), Great Expectations

Chinua Achebe, Nigeria, (b. 1930), Things Fall Apart

Dante Alighieri, Italy, (1265-1321), The Divine Comedy

Denis Diderot, France, (1713-1784), Jacques the Fatalist and His Master

DH Lawrence, England, (1885-1930), Sons and Lovers

Doris Lessing, England, (b.1919), The Golden Notebook

Edgar Allan Poe, United States, (1809-1849), The Complete Tales

Elsa Morante, Italy, (1918-1985), History

Emily Bronte, England, (1818-1848), Wuthering Heights

Ernest Hemingway, United States, (1899-1961), The Old Man and the Sea

Euripides, Greece, (c 480-406 BC), Medea

Federico Garcia Lorca, Spain, (1898-1936), Gypsy Ballads

Fernando Pessoa, Portugal, (1888-1935), The Book of Disquiet

Francois Rabelais, France, (1495-1553), Gargantua and Pantagruel

Franz Kafka, Bohemia, (1883-1924), The Complete Stories; The Trial; The Castle Bohemia

Fyodor M Dostoyevsky, Russia, (1821-1881), Crime and Punishment; The Idiot; The Possessed; The Brothers Karamazov

Gabriel Garcia Marquez. Colombia, (b. 1928), One Hundred Years of Solitude; Love in the Time of Cholera

Geoffrey Chaucer, England, (1340-1400), Canterbury Tales

George Eliot, England, (1819-1880), Middlemarch

George Orwell, England, (1903-1950), 1984

Giacomo Leopardi, Italy, (1798-1837), Complete Poems

Gilgamesh, Mesopotamia (c 1800 BC).

Giovanni Boccaccio, Italy, (1313-1375), Decameron

Gunter Grass, Germany, (b.1927), The Tin Drum

Gustave Flaubert, France, (1821-1880), Madame Bovary; A Sentimental Education

Halldor K Laxness, Iceland, (1902-1998), Independent People

Hans Christian Andersen, Denmark, (1805-1875), Fairy Tales and Stories

Henrik Ibsen, Norway (1828-1906), A Doll's House

Herman Melville, United States, (1819-1891), Moby Dick

Homer, Greece, (c 700 BC), The Iliad and The Odyssey

Honore de Balzac, France, (1799-1850), Old Goriot

Italo Svevo, Italy, (1861-1928), Confessions of Zeno

Jalal ad-din Rumi, Afghanistan, (1207-1273), Mathnawi

James Joyce, Ireland, (1882-1941), Ulysses

Jane Austen, England, (1775-1817), Pride and Prejudice

Joao Guimaraes Rosa, Brazil, (1880-1967), The Devil to Pay in the Backlands

Johann Wolfgang von Goethe, Germany, (1749-1832), Faust (English) (German)

Jonathan Swift, Ireland, (1667-1745), Gulliver's Travels

Jorge Luis Borges, Argentina, (1899-1986), Collected Fictions

Jose Saramago, Portugal, (b. 1922), Blindness

Joseph Conrad, England,(1857-1924), Nostromo

Juan Rulfo, Mexico, (1918-1986), Pedro Paramo

Kalidasa, India, (c. 400), The Recognition of Sakuntala (Abhijnanasakuntalam)

Knut Hamsun, Norway, (1859-1952), Hunger (English) (Hebrew)

Laurence Sterne, Ireland, (1713-1768), The Life and Opinions of Tristram Shandy

Leo Tolstoy, Russia, (1828-1910), War and Peace; Anna Karenina; The Death of Ivan Ilyich and Other Stories

Louis-Ferdinand Celine, France, (1894-1961), Journey to the End of the Night

Lu Xun, China, (1881-1936), Diary of a Madman and Other Stories

Mahabharata, India, (c 500 BC).

Marcel Proust, France, (1871-1922), Remembrance of Things Past

Marguerite Yourcenar, France, (1903-1987), Memoirs of Hadrian

Mark Twain, United States, (1835-1910), The Adventures of Huckleberry Finn

Michel de Montaigne, France, (1533-1592), Essays

Miguel de Cervantes Saavedra, Spain, (1547-1616), Don Quixote

Naguib Mahfouz, Egypt, (b. 1911), Children of Gebelawi

Nikolai Gogol, Russia, (1809-1852), Dead Souls

Nikos Kazantzakis, Greece, (1883-1957), Zorba the Greek

Njaals Saga, Iceland, (c 1300).

Ovid, Italy, (c 43 BC), Metamorphoses

Paul Celan, Romania/France, (1920-1970), Poems

Ralph Ellison, United States, (1914-1994), Invisible Man

Robert Musil, Austria, (1880-1942), The Man Without Qualities

Salman Rushdie, India/Britain, (b. 1947), Midnight's Children

Samuel Beckett, Ireland, (1906-1989), Trilogy: Molloy, Malone Dies, The Unnamable

Sheikh Musharrif ud-din Sadi, Iran, (c 1200-1292), The Orchard

Shikibu Murasaki, Japan, (N/A), The Tale of Genji Genji

Sophocles, Greece, (496-406 BC), Oedipus the King

Stendhal, France, (1783-1842), The Red and the Black

Tayeb Salih, Sudan, (b. 1929), Season of Migration to the North

The Book of Job, Israel. (600-400 BC).

Thomas Mann, Germany, (1875-1955), Buddenbrook; The Magic Mountain

Thousand and One Nights, India/Iran/Iraq/Egypt, (700-1500).

Toni Morrison, United States, (b. 1931), Beloved

Valmiki, India, (c 300 BC), Ramayana (online-link)

Virgil, Italy, (70-19 BC), The Aeneid

Virginia Woolf, England, (1882-1941), Mrs. Dalloway; To the Lighthouse

Vladimir Nabokov, Russia/United States, (1899-1977), Lolita

Walt Whitman, United States, (1819-1892), Leaves of Grass

William Faulkner, United States, (1897-1962), Absalom, Absalom!; The Sound and the Fury

William Shakespeare, England, (1564-1616), Hamlet; King Lear; Othello

Yasunari Kawabata, Japan, (1899-1972), The Sound of the Mountain

Source of the information: Guardian Unlimited
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Our Army At War #92

Người đăng: Unknown on Thứ Bảy, 24 tháng 11, 2007

A buddy of mine scanned in this issue and I thought I'd do a solo issue review. Here's the cover:

(Cover art by Jerry Grandinetti)

This was the March, 1960 issue. The cover story features Sgt. Rock. Rock is a no-nonsense soldier presiding over a group of men known (ironically) as Easy Company. In this story, he's not only battling the Germans, but his own men who have become superstitious that a rabbit's foot owned by the squad's flame-thrower operator is responsible for their good fortune:

(Art by Joe Kubert, who created Sgt. Rock)

In the end, of course, the soldiers learn their lesson, that their trinkets and charms were not responsible for the luck of Easy Company. Unfortunately, they transfer their superstition:


Comments: Excellent Bob Kanigher story with terrific art as usual by Kubert. More than anything else, it's Kubert's inks that give his characters faces so much emotion.

There is a short feature on the Fighting 41st infantry division, known as the Jungleers for their fighting in the South Pacific, followed by "Bait for a Desert Hawk". A German pilot and an American pilot find their fates tied to a battle between a falcon and a sparrow hawk. The German and the falcon win the first battle, but the American copies a trick used by the sparrow hawk in a rematch and is successful as well.

Comments: Nice compact (6 pages) story with art by Russ Heath.

"D-Day Commandos" is the tale of a pre-invasion commando who is supposed to be guided to his target by three men of the Maquis. However, when he arrives at his first waypoint, he is startled to discover his guide is a boy. The lad turns out to be both brave and intelligent, saving the commando for the next waypoint. This time the person awaiting him is an old man, who again proves resourceful and courageous. Now it is up to the last guide, who is young and manly. And a Nazi intent on sabotaging the mission. The commando realizes that the young boy and the old man did their jobs, so he must do his by defeating the Nazi and blowing up the bridge to help the invasion forces.

Comments: Terrific story, in the compact style of the Silver Age; all the action described above (and more) comes in six pages and only 33 panels.

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#005. Supremo-Adventures of Amitabh Bachchan

Người đăng: Unknown on Thứ Sáu, 23 tháng 11, 2007

On the demand of Qaseem Abbasi and some more friends.




Supremo-Vol1 N11-The Hijack


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#004. Some Authors

Người đăng: Unknown on Thứ Ba, 20 tháng 11, 2007

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#003. Premchand and some more Hindi links.

Người đăng: Unknown

This one for my friend Rakesh. Earlier planned to add it later. My favorite Hindi writer since 1978.

Premchand (1880-1936)

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the man...
His real name was Dhanpat Rai but he is famous with his pen name of Premchand or Munshi Premchand. He was born in Pandepur, a village near Banaras (now Varanasi). His father Munshi Ajaib Lal was a clerk in the Postal Department. Premchand was just eight years old when his mother died. His grand-mother took the responsibility of raising him, but she died soon after that. Meanwhile his father married again and Premchand was left without the love of his father too.
He was married when he was 15 and was in the 9th grade. His father also died and after passing the intermediate he had to stop his study. He got a job as a teacher in the Primary School, after a series of promotion he became Deputy Inspectors of Schools. In response to Mahatma Gandhi call of non-cooperation with the British he quit his job. After that he devoted his full attention to writing. His first story appeared in the magazine Zamana published from Kanpur.

his novels...
Before Premchand; Nazeer Ahmad, Sarshar and Mirza Hadi Ruswa have written novels in Urdu. But Premchand has a unique place when it comes to Urdu novels and short stories. He emphasized in presenting the realities of life and he made Indian Villages his center of writing. His novels describe the problems faced by the villagers and poor and what could be the solutions. How the priests, local business folks (mahajan) and the landlords were exploiting the villagers. He also emphasized on the Hindu-Muslim unity. His famous works include Gau-daan, Maidan-e-Amal, Bay-waH, Chaugaan etc.

short stories...
It would not be wrong to say Premchand as the Father of Urdu Short- Stories. Short stories or afsana was started by Premchand. As with his novels, his afsanas, also mirrors the society that he lived in. With a break from the past his characters are not all good or bad but somewhere in between. His characters are based on real life people and as in real life sometime we see a good side or the bad side of the person.
Premchand's style of writing is simple and flowing some of his works shows very good use of satire and humor. His later works used very simple words and he started including Hindi words too to honestly portray his characters. In the later stages of his life He turned his attention to Hindi and now Premchand is claimed by both Urdu and Hindi literature as their own. His famous afsanas are qaatil ki maaN, zewar ka DibbaH, gilli DanDa, eidgaah, namak ka darogHaaH, kafan. His collected stories have been published as prem pachisi, prem battisi, wardaat, zaad-e-raah etc.

[Based on Urdu Adab ki Tareekh by Azeem-ul-haq Junaidi published by Educational Book House, Muslim University Market, Aligarh 200202 INDIA]

Premchand's Short Stories & Novels

Check other Hindi Links, add today for all Hindi lovers.
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The Marvel Girlfriends

Người đăng: Unknown

This is not the first time I have remarked on this, but when you look at the Silver Age DC they were miles ahead of Marvel in terms of their treatment of women.

Look at the Silver Age DC girlfriends/love interests and their occupations:

Flash: Iris West, newspaper reporter
Green Lantern: Carol Ferris, aircraft plant executive
The Atom: Jean Loring, defense attorney
Hawkman: Hawkgirl (Shayera Hol), policewoman

Now let's try the comparison with Marvel:

Hulk: Betty Ross, daughter of a general
Spiderman: Betty Brant, secretary
Thor: Jane Foster, nurse
Iron Man: Pepper Potts, secretary
Daredevil: Karen Page, secretary

Are we seeing a trend here? I don't even know if Betty Ross had a job in the old Hulk stories; wasn't she more or less a housekeeper for her father? I left Aquaman out of the mix because for some odd reason his Silver Age adventures did not start with a romantic interest; it was not until Aquaman #11 that Mera appeared on the scene. And you can make a case for talking about Sue Storm being a scientist, although it might help if Stan and Jack had shown her mixing up some chemicals in her spare time instead of trying on new clothes and hairstyles.

All the Marvel heroines performed one valuable function; they made excellent hostages. Let's consider Jane Foster, for example:







Now it is not entirely fair to criticize this as sexist; it's also provides strong motivation for the hero. Hostages help balance out the power differences between superheroes and the (often non-super) villains. And it's not as if only women were used in this way; Jimmy Olsen and Robin often found themselves kidnapped as well.
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#002. Asterix & Tintin (Comics & Books)

Người đăng: Unknown on Thứ Hai, 19 tháng 11, 2007

UPDATE:

31/01/2008: 3 more Tintin files added today.


Total 76 comics and books in English. In fact there are 75 books, but one in two parts.

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Asterix and Tintin (download links)
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#001.Why decided to start a new blog with already distributed books & comics? This post is dedicated to all comic lovers of INDRAJAL Comics.

Người đăng: Unknown on Chủ Nhật, 18 tháng 11, 2007

Four-five years ago tried to find some favorite books and comics, but in vain. Two months ago, again decided to search, find out that many were available and now links are lost. Since last 2 months, I am on forced vacation. Till 15th Jan 2008, I will have a plenty of times. Initially I was collecting all possible books for myself which I want to read. But now wish to help to those people who gave a lot of time in searching like me. If I able to spread my favorites to 100 people, THE HARD WORK of those people will never be lost who scanned or uploaded for OTHERS. These books and comics will return back to the net, again and again for it lovers.
In childhood most part of the money spent on books. CHAMPAK, PARAG, CHANDAMAMA and NANDAN were bought for me by parents. But it was not enough for me. The very first comic was Phantom (Indrajal-1977). Parents were not agreeing with my choice for comics. But I spend all my pocket money on it. My collection is lost forever, but thanks to the following blogs, I’m recollecting again, not only for myself but for my twins too. Some are not publishing; some are not available everywhere.
Visit to encourage their GREAT EFFORTS:
http://thecomicproject.blogspot.com/
http://indrajal-comics.blogspot.com/
http://comic-guy.blogspot.com/
http://anupam-agrawal.blogspot.com/
http://mandrake-comics.blogspot.com/
http://thephantomhead.blogspot.com/

I’ll add links to sites from where you can take it yourself. If there is need, will rearrange them in one folder, but after sometimes with the kind permission of the CREATORS. Try to help to all fans, to find the book in shortest time. Time is the most valuable. Let’s use every saved second in reading or passing with the family and friends.
First post is for them who want to collect published copies of INDRAJAL COMICS as soon as possible. But for new one you have to go to the above one.

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You Can Learn A Lot From Comics

Người đăng: Unknown on Thứ Ba, 13 tháng 11, 2007

Sometimes even I'm surprised at what turns out to be well-grounded. I was reading Atom #10 (Dec 1963-Jan 1964). The second story in that issue is called The Mysterious Swan-Maiden, in which Jean Loring is required to act as defense counsel for a swan.



Now looking at it, I thought that citation looked ridiculous, but when I typed it into Google (and Google corrected a minor error by asking if I wanted "fitzh abr barre pl 290"), I was taken to this page from a book on Privacy and the Constitution, where indeed the topic of animals being guilty of crimes is discussed:

The reader will see in this passage, as has been remarked already of the Roman law, that a distinction is taken between things which are capable of guilt and those which are not--between living and dead things; but he will also see that no difficulty was felt in treating animals as guilty.


Gardner Fox (who wrote the story) obviously knew his legal precedents! I should add that this discussion comes in a section on liability (i.e., torts), and that animals can not really be brought to criminal trial; that's a little bit of literary license.
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Yet More DC Scientofascism

Người đăng: Unknown on Thứ Ba, 6 tháng 11, 2007

I've talked a number of times in the past about the weird scientific fascism that many DC comics of the Silver Age appeared to endorse, as well as the odd conflict between DC's apparent reverence for science and its decidedly ambivalent attitude towards the products of that science. Here's another classic and bizarre example, from Adventure Comics #267 (Dec 1959).

The Legion of Super-Heroes (making their second appearance) have apparently taken up residence in Smallville. They perform a few heroic maneuvers, but treat Superboy coldly. Eventually the mayor of Smallville decides there's no need for the Boy of Steel, and Superboy tearfully leaves Earth. While in space, he comes across a horde of super-beings, all headed for one planet, which turns out to be a planet devoted to a tribute to Superboy himself. However, when he arrives:



Sentence first, trial afterwards, eh? A page or so later, they explain the reason for imprisoning him:



Just imagine the uproar if an administration tried to institute preventive detention, based on the fact that you're going to commit a crime five years hence. But, you know, it's just scientifically logical. Provided, of course, that the "futuroscope" works, which, of course it doesn't.

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The Second Origin of the Second Two-Face

Người đăng: Unknown on Thứ Năm, 1 tháng 11, 2007

Two-Face was one of Batman's better villains. Harvey Kent (later changed to Dent) was a handsome District Attorney in Gotham City, with a penchant for prosecuting mobsters. When he prosecuted Boss Maroni, the mobster scarred the left side of the DA's face with a vial of acid. Driven mad by his sudden bizarre appearance, Kent became a lawbreaker, using the "two" theme in his crimes. In keeping with his dual nature, Two-Face had a silver dollar with two heads on it, one of which he disfigured. He would flip the coin and if the good side came up, he would donate the proceeds to a charity, blending in a little Robin Hood with the obvious Dr Jekyll and Mr Hyde characterization.

But Kent eventually repented his evil ways and with the help of his fiancee and a plastic surgeon was able to resume his prior life. The saga was told over a series of stories appearing in Detective Comics #66, 68 and 80. Two-Face was clearly a popular character, and yet the editors seemed reluctant to disturb the happiness of the Kents. There was one story after those with Two-Face, but it turned out to be the Kents' butler, wearing a mask.

In Batman #68, a new, real, Two-Face was introduced. As it happened my introduction to this story came when it was reprinted in Batman Annual #3, which is effectively the only appearance for either of the Two-Faces in the Silver Age (yes, I know about the World's Finest issue, but that was Batman dressing up as Two-Face). In the story, Paul Sloane is a handsome actor, portraying Harvey Kent on a Hollywood TV set, when something goes terribly wrong:



It's a memorable moment, and so when a friend of mine showed me his copy of Batman #68, I was looking forward to rereading it in the original. I was startled to discover that the above scene does not appear there. Instead there's this:



Note also the black and white image as viewed from the TV in the original versus the color image in the latter; another difference between 1963 and 1950. I remember the first time I saw a color TV at about 1962 being completely blown away by the idea that they could improve on black and white.

It turns out that the prop man had put acid in the bottle as revenge for Sloane stealing his girlfriend. I suspect that the Comics Code Authority, while allowing the disfigurement to be presented, demanded that the love triangle be edited out of the scene when it was reprinted in Batman Annual #3.
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Pander Bear

Người đăng: Unknown on Thứ Tư, 3 tháng 10, 2007

I haven't spent much time discussing funny animal-type comics on this blog so far. Of course, funny animal comics were not a huge segment of the Silver Age with a few notable exceptions (Donald Duck, Uncle Scrooge, Fox & Crow). DC published only the latter during almost the entire decade of the 1960s in the funny animal genre; I don't think Marvel even had a funny animal series.

But in the 1950s there were quite a few more young children around. In July-August 1953, DC launched Peter Panda, an oddball series that seemed designed to appeal more to parents than to kids. Where most funny animal series involve only animals, Peter had two human friends, Jimmy and Jane.

The stories mostly revolved around one or the both of the kids doing something wrong, that inevitably leads to (somewhat wacky) trouble. Fortunately, the wrong-doer quickly learns his lesson and Peter Panda arrives to save the day.

Kids doing something wrong:



Wacky trouble:



Panda to the rescue, lesson learned:



What, Pandas have helicopters too?

Of course, the astounding part about reading these comics is wondering how the intended readers reacted. Kids hate being lectured to, and Peter does a lot of lecturing:





One presumes that the comic was really being marketed to mothers as a way of teaching your children lessons. But what weird lessons--don't abuse machinery because you might get taken to Gadgetville and forced to stand trial? Don't skip dinner for ice cream because you might be forced to eat trucks full of ice cream? Eat your vegetables or you might get taken to the Land of the Vegetables and forced to stand trial? These poor kids were brought up on phony charges in almost every issue; wonder what lesson was being imparted there?
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Dial B for Blog is Back with a Real Scoop on Batman!

Người đăng: Unknown on Thứ Sáu, 21 tháng 9, 2007

And has an amazing series of posts about Batman's original stories that are staggering in their implications.

You'll have to scroll down a bit on that post to get to the meat of the allegations, but once you see the side-by-side comparisons, it becomes quite clear that Detective #27's Batman story, the first appearance of the caped crusader, was quite obviously swiped from two main sources; a Shadow pulp magazine and a Big Little Book.

There are a couple of weak points, but overall the evidence is overwhelming. I'm completely flabbergasted.
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Alley Awards: Best Covers

Người đăng: Unknown on Thứ Ba, 14 tháng 8, 2007

The Alley Awards were the comic equivalent of the Academy Awards during the 1960s although for some reason they died out after 1969. Using the information found here, the best comic covers of the 1960s were:



Also a very significant book, as we have discussed in the past.



There seems to have been a push by fandom to help out DC's resurrection of this character, as Hawkman was also chosen as best hero of 1962, despite the fact that sales of his tryout issues were insufficient to launch a solo title yet.

In 1963 there was no award for best cover per se, but this cover won for best single illustration:



I'm as baffled as you probably are by that one.



The New Look Batman picks up a win for Carmine Infantino.



An effort at reviving two Golden Age heroes. Although both this issue and Brave & Bold #62 were terrific, they did not sell enough to justify continuation.



Al Williamson's take on the comic strip classic. Various efforts were made to bring Flash Gordon to the comic books, but none ever succeeded. Most of the major publishers tried at least once--DC, Harvey, Marvel, Dell, Gold Key and King (which produced this attempt).



Neal Adams picks up the first of many awards. Note that this is the only cover chosen in the decade that has word balloons. Update: DOH! As pointed out by Snard in the comments, the Flash #123 cover also has word balloons.



Jim Steranko checks in with a memorable Nick Fury cover.



Steranko wins for the second consecutive year.
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Computers in the Silver Age

Người đăng: Unknown on Thứ Ba, 31 tháng 7, 2007

This is a topic I will be returning to over time to add details. Comic books were always interested in cutting-edge technology, and computers were certainly considered in that category back in the 1960s.

As I have discussed previously, DC in the Silver Age elevated science to the status of a religion, with Jor-El as the high priest. But curiously, when it came to the fruits of that science--technology--DC was decidedly more ambivalent.

We have discussed in the past the Kryptonian machine that determined what occupation you were best suited for and to which you would be assigned with no appeal. And we've covered the machine 500 years in the future which determines whether you have sufficiently repented criminality before your parole date. And what do both those incredibly sophisticated pieces of technology have in common? They both screwed up!

This is a theme that recurs often in the DC Silver Age. For example, consider a little story from Superman #118 (January 1958) called The Boy Napoleon. Jimmy takes a military aptitude test on an electronic brain, and the brass are stunned to discover that he's a genius. Of course, Clark quickly realizes what happened:



But as Superman he's compelled to help make Jimmy look like Napoleon to convince some foreign spies that they should not invade against this fearsome young general.

Think computer dating is a new fad? Lois Lane #24's cover shows otherwise:



That fella on the right is not Clark Kent. Cute little story with a shocking revelation about Lois' supposed perfect man:



Roger is so embarrassed at his lack of hair that he is unable to face Lois again, so we are left wondering if she could have overcome her irrational prejudice towards the follically challenged. And whether the computer worked or not in this case.

Here's an ad that appeared in many comics magazines during the late 1960s:



Discussion of the Digi Comp I here.

In Jimmy Olsen #5 (May-June 1955), the Daily Planet gets a new tool:

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Thunder And Lightning

Người đăng: Unknown on Thứ Tư, 25 tháng 7, 2007

In JLA #37-38, DC brought back the JSA for the third teamup with the Justice League. Once again, they continued to rotate the characters.

In this story, Johnny Thunder and his Thunderbolt appeared for the first time since the 1940s. Johnny is probably the least famous JSA member. He effectively had a genie (the Thunderbolt) who would appear whenever he spoke the words "Say you". The humor arose because Johnny apparently didn't know those were the magic words, although of course he managed to say them by accident many times. He was a major DC character of the 1940s, appearing in many issues of Flash Comics (including #1) and All-Star (including as a charter member of the JSA in #3), as well as the first three issues of World's Best/World's Finest and World's Fair Comics 1940.

Fate was not very kind to Johnny. In Flash Comics #86, a backup character was introduced named the Black Canary. Six issues later, Thunder was out and the Canary was in; she also fairly quickly eased him from of his role in the Justice Society.

In this story, Johnny does know the words "Say you". He has been invited to a meeting of the JSA once again. However, upon learning that there are Earth-1 counterparts to some of his old mates, he becomes curious as to what his doppelganger is like. It turns out that the Johnny Thunder of Earth-1 is a small-time crook who remembers reading the old Johnny Thunder comics in the 1940s. He kayos Earth-2's Johnny and takes over control of the Thunderbolt.

Realizing that the JLA will be tough to beat, he commands the Thunderbolt to arrange things so that none of the JLA heroes will arise. The Thunderbolt prevents Krypton from exploding, keeps the lightning from breaking through the window of Barry Allen's lab, stops Abin Sur's rocket from crashing, etc. Sadly, Bruce Wayne's parents are not rescued:



Since Johnny has not shown up for the JSA reunion, his old mates are worried. They track him down to Earth-1 where they are stunned to learn that the JLA does not exist. They battle Johnny and his Thunderbolt, but are unable to prevent them from getting away with magic. They discover from interviewing Thunder's henchmen that there are no superheroes on Earth-1 and never have been. So they decide to mimic the JLA themselves, using their powers to fake the Earth-1 heroes' abilities.

They trounce Johnny and the Thunderbolt, but the former soon figures out that it was the JSA members in disguise. In response, he tells the Thunderbolt to arrange for it that five of his cronies become the JLA heroes Batman, Superman, Flash, Green Lantern and Martian Manhunter. Thus his criminal henchmen become supervillians, setting the stage for a battle in the following issue.

In JLA #38, the heroes of Earth-2 battle the villains of Earth-A (since Earth-1 is now an alternate world). But the heroes prove too much for the villains because they are accustomed to using their powers while the villains are still new to the experience. Of course, this makes little sense given that the Thunderbolt had gone back in time to make them super-powered beings:



(Update: Now that I think of it, this is probably why Gardner Fox did not have the Thunderbolt rescue Bruce Wayne's parents, because if they had, what Hawkman would be suggesting here is to allow them to die again.)

Johnny escapes to the moon where he forces the Thunderbolt to create three new villains, but in the end they are defeated, and so it's a battle of the T-Bolt and Dr Fate. But Johnny gets caught up in the fight and is being battered, so he finally wishes that none of this had ever happened.

And so:

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Detective #249

Người đăng: Unknown on Thứ Tư, 18 tháng 7, 2007

I've always liked this particular issue, for several reasons. First, it features Batwoman and Robin working together. Why? Well, because Bruce Wayne is in prison!



It's something of a stock DC plot, with Bruce agreeing to be found guilty of being the fantastic new criminal, The Collector, in an attempt to befriend a prisoner who has somehow found blueprints to the jail. As in all such stories, though, only one person (Commissioner Gordon) knows that Bruce is not really guilty.



So when one of the convicts attempting a breakout with the plans accidentally kills himself, Bruce is accused of murder and sentenced to die. And of course, the Gotham legal system makes Texas look deliberate, so that Bruce is convicted and receives the last meal rapidly. Can Batwoman and Robin save him?

Well, Robin can, anyway. This was only Batwoman's third appearance and although she insists that the Boy Wonder work under her as he would under Batman, it is clear that Robin is the real detective on this case:



This is contrary to the usual Silver Age stories in which Robin is almost always second banana to the World's Greatest Detective.

Eventually Batwoman and Robin capture the Collector and the warden gets the governor to call off the execution. We never do hear that Commissioner Gordon has recovered from that nasty coma.

The story is unique in that Batman only appears in one panel; it's almost all Bruce Wayne.

The second story is The Ghost that Haunted Roy Raymond. The Roy Raymond stories were amusing little tales of a TV debunker of the supernatural. In this one, Roy proves that the ghost haunting him is actually a fake arranged by a couple of men trying to settle a bet.

The text story is actually pretty interesting, concerning the C.I.B., the Compliance and Investigative Branch of the Department of Agriculture. Yes, Agriculture had their own special cops, who bust people for some, shall we say, unusual crimes:



Yes, thank goodness those wily promoters are not allowed to make a profit on that wheat!

In the Martian Manhunter story, the governor is being threatened by gangsters trying to get a pardon for one of their members who is scheduled for execution. Two death penalty stories in one issue! Detective Jones impersonates the governor using his special power of being able to mimic any form (pretending he used makeup for the trick). The execution apparently goes forward, and the next day the crooks try to get revenge on the governor, but Jones manages to defeat them without revealing he's a Martian.
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