Hiển thị các bài đăng có nhãn Bill Ely. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Bill Ely. Hiển thị tất cả bài đăng

Number 1383: The not altogether-horrible Hillman horrors

Người đăng: Unknown on Thứ Tư, 12 tháng 6, 2013

Hillman Periodicals, publishers of Airboy Comics and other titles, had no horror comics in their line. But Airboy was known to battle some ghoulish foes, and because horror comics were popular in the early fifties some of the elements in that comic skewed toward the horror genre.

To wit, the non-Airboy contents of Airboy Comics Vol. 9 #5, from 1952. The stories are short, and all have some horror to them.

Gerald McCann,* was a fine artist moonlighting in comic books. His moody, dark style fits “The Wolf Boy of Krakow” very well. Ernie Schroeder did the Heap story, as well as the cover illustration from the tale. The Heap was a character like the later Swamp Thing and Man-Thing, inspired by Theodore Sturgeon’s 1940 short-story, “It!” Heap was a peripatetic, shambling mute who went from one town to another, involving himself in various horror scenarios. The tone of the series reminds me of Dick Briefer’s last and more serious incarnation of his Frankenstein character, seen in The Monster of Frankenstein. Last, longtime comic artist and journeyman Bill Ely* drew “The Crown of Coort,” which features a Lovecraftian monster and a classic last panel.



















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*More McCann and Ely here. Just click the pictures.



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Number 1227: “I was a prisoner of Captain Kidd!”

Người đăng: Unknown on Thứ Sáu, 14 tháng 9, 2012

September 19th is “Talk Like a Pirate Day” and I will have a pirate story for you that day. I also have a pirate story for you today. I guess pirates are on my mind this week.

Bill Ely did the excellent art on this story from DC's My Greatest Adventure #11 (1956). I've featured Ely before, and I'll give you a link after reminding you that Ely was a very early comic book pioneer, and drew all through the Golden Age of comics. He then drew for DC for several years, into the 1960s. He is one of those journeymen who do not get the recognition they deserve from fans. Look at this story, his drawing, the detail, the panel composition. It all points to him being one of the top illustrative artists in the comics. And yet under-appreciated by comics fans. I'd like to help change that.

There's more DC work by Ely in Pappy's #772.









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