Number 1592: The one-and-done costumed heroes

“The Case of the Crumpling Skyscrapers” is the one and only appearance of Rocky Ford and Judith Allen, private investigators. At night they take on disguises, he as the Scarlet Nemesis, she as the Black Orchid. The gimmick is they don’t know each other when their masks are on. Duh. Don Markstein’s Toonopedia has this to say about the characters:

“. . . comic book characters can be awfully dense about not recognizing each other if there's a mask in the way . . . But their relationship was never given a chance to develop. The Black Orchid and The Scarlet Nemesis had only one adventure, then disappeared without a trace.”

The article credits George Tuska with the art. Jim Vadeboncoeur Jr credits Ken Battefield and an unknown inker for the job. I am with Jim on this — it is not a Tuska job.

There is another character in this story, an eccentric “retired millionaire,” Jim Crow. Crow wants to knock down all the buildings to make more room for the pigeons. Can it be that there was a writer and an editor in those days who did not recognize the name “Jim Crow” as being the term used for racial segregation in the American South? You can read more about Jim Crow. This story, from All New Short Story Comics #2 (1943) is a curiosity that leaves one puzzled.

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Number 1211: Witches Kill At Daylight

Joe Kubert, who recently died,was born September 18, 1926. He drew this story when he was 17-years-old. I asked this question before of another story Joe drew in his teens: "What were you doing when you were that age?" Unlike Joe, I was more interested in my social life than developing a craft that would serve me all the rest of my working life.

Joe was mentored by top professionals and became a top professional who mentored. Here's a well-illustrated article from the L.A. Times about Kubert's career.

I have shown this story before, and it's another of my re-scans and re-presentations. This time I'm including scans from Heritage Auctions I found of four of the six pages of "Witches Kill At Daylight."

There's not a lot more I can add to the tributes that have poured in from fans worldwide since Joe's death. All I can do is show his work, and that speaks volumes of how great he was.

From Harvey Comics' All New Comics #10 (1944):

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