For day two of
Pappy’s Crime Wave week (see yesterday's post for an explanation) we have the standard crime comic; i.e., what most people, especially censors, bluenoses and joykillers, meant when they pointed at something and said, “That's a crime comic!”
Crime and Punishment #1* came out in late 1947 and became the companion publication to the standard-bearer of the genre,
Crime Does Not Pay. The publisher was Lev Gleason, the editors Charles Biro and Bob Wood, just like
Crime Does Not Pay. We find the same kind of contents in the latter magazine as we do in the former...panel after panel of lurid criminal acts and in the last couple of panels some sort of moral and the criminal’s just due. He (or she in many cases) either ended up on the gallows
, in
the electric chair, or died a violent death by either cops or fellow crooks.
The contents of crime comics varied with American crime mixed in with crime in other countries. In this case we see Dan Barry’s great artwork on “Danny Iamasca, Dutch Schultz’s Triggerman” and Jack Alderman’s ink-heavy art on “The Butcher of Düsseldorf.” A note about crime comics: Their use of the word “true” doesn’t mean their version of truth got in the way of telling a good story. Truth may have figured in there somewhere, but not at the expense of cheap thrills. An exception might be made in the case of Peter Kürten, the Butcher of Düsseldorf (also called the Düsseldorf Vampire). His many crimes were so depraved the scripter and artist restrained themselves in telling the story. And that’s the truth.
C.H. Moore had a regular gig doing these informational pages. They were quite good. Moore used a style perfected by sports cartoonists in newspapers and also in the famous “Ripley’s Believe It Or Not.”
*There’s internal evidence that the title of the comic was originally
Obey the Law but was changed to
Crime and Punishment during production.
“The Jungle.” a story of a prison escape, is from Crime and Punishment #43 (1951). It’s drawn by the under-rated Robert Q. Sale, who worked in comics for a few years, and did excellent work for several companies. The Lambiek Comiclopedia gives Sale another name, Robert Q. Siegel, which I assume was his birth name. Also according to Lambiek, he died in 1962 at the very young age of 38. The story I had heard about Sale was for a time he shared studio space with Harvey Kurtzman, John Severin and Will Elder in the Charles William Harvey Studio. 
