Hiển thị các bài đăng có nhãn Adolphe Barreaux. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Adolphe Barreaux. Hiển thị tất cả bài đăng

Number 1430: Sally and Dan

Người đăng: Unknown on Thứ Hai, 2 tháng 9, 2013


Henry Kujawa of the Professor H’s Wayback Machine blog did me a big favor by coloring a black line strip scheduled for today. “Sally the Sleuth ‘Winning Her Stripes’” was scanned from a reprint in Malibu Comics’ Spicy Tales, but was originally published in the pulp magazine, Spicy Detective, in 1942. Henry did a great job enhancing the strip. He didn’t have the greatest copy to work with...the blobby black line is because the strip came from a pulp magazine, where drawings were reproduced on paper a step below what most of us find in our bathrooms. During printing the ink hit the porous pulp paper and spread into the fibers, making fine lines next to impossible.

Thanks to Henry. You can see more of Henry’s handiwork in his blog, where he does restorations of comic book covers, and even the “Tales of the Great Book” feature from Boy’s Life.

The artwork is credited to Adolphe Barreaux, art editor of the Spicy titles. Those titles were published by some of the same folks who gave us DC Comics, and were more than a shade on the seedy side. They upset postal inspectors and bluenoses of that era. The titles were soon changed from Spicy to Speed, and in my opinion lost about 90% of their desirability. But, that was then. Cheesecake, even slightly kinky cheesecake involving spies with whips and sexy girls who are out of their clothes more than they are in, seems a lot tamer now than it did 70 years ago.

To go along with Sally, we have Dan Turner, the Hollywood detective. It’s also signed by Barreaux and by writer Robert Leslie Bellem, who had a gift for slang-filled dialogue like, “Butched! He’s defunct!” which will probably make more sense when you see it in context.

Sally is from Spicy Tales #2, and Dan Turner is from Spicy Tales #4, both from 1988:













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More Sally and Dan! Click the picture:


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Number 1178: A roscoe sneezed

Người đăng: Unknown on Thứ Tư, 20 tháng 6, 2012


Adolphe Barreaux is a pioneer in the history of comic books. He started out drawing comic book-like stories for Harry Donenfield (who later went on to take over DC Comics from its founder, Major Malcolm Wheeler-Nicholson). Barreaux drew the sexy Sally the Sleuth stories for Spicy Mystery Stories, an under-the-counter pulp Donenfield published before he took over DC Comics. Donenfield set Barreaux up with an art shop, with himself as co-owner, to provide artwork for his line of pulps. Here's an example of Sally the Sleuth, from its days as a two-page strip (and I mean that literally...Sally could not keep her clothes on), from Spicy Detective (March, 1935). The scans are from the 1988 Malibu Comics reprint.



Later Barreaux became editor of Trojan Magazines, Crime Smashers, and other titles, a small publisher also bankrolled from the DC empire. The story of DC's secondary business interests is a complicated one of silent partners, publishing names and different addresses, but it all goes back to Harry Donenfield. He was a sharp businessman who had his hand in the comics business, publishing and distributing, in a big way.

Barreaux is credited with drawing these Dan Turner, Hollywood Detective stories. The color story is from Crime Smashers #7 (1951), and the second is originally from the pulp Spicy Detective (January, 1943), by way of the Malibu Comics reprint, Spicy Tales #1 (1988). Robert Leslie Bellem is credited as the writer. He created Dan Turner for the pulps, and was known for his overcooked dialogue like "a roscoe sneezed," and "Jeepers! Baldy's been skewered through the ticker! He's defunct!" Bellem went into writing for television after the pulps were skewered through the ticker. He did scripts for The Lone Ranger, Adventures of Superman, 77 Sunset Strip, and many more. He died in 1968.

In looking at the artwork for these Dan Turner stories I'm venturing the opinion that despite Barreaux's credit they are shop jobs. Maybe he had something to do with them, and maybe not. In "Off-stage Kill" Dan Turner is shown mostly from the back in a very static layout. The only time the story comes alive is when the girls are fighting. "The Murdered Mummy" has some of the same faults, but is much livelier in its layouts.

















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