Hiển thị các bài đăng có nhãn Dan Zolnerowich. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Dan Zolnerowich. Hiển thị tất cả bài đăng

Number 1540: Headless but well-dressed

Người đăng: Unknown on Thứ Tư, 12 tháng 3, 2014

This is day three of our Week of Quality, featuring popular characters from Quality Comics of the forties.

“The Dress Suit Murders” from Doll Man Quarterly #9 (1946) is intriguing to me because we have what looks like a headless man committing murders, and because he is in evening wear, he is called not “the headless killer” (which would be my choice if I were writing the newspaper headlines that would accompany the lurid stories of his murder spree), but “Dress Suit.” That’s about as unlikely a name for a killer as any I can think of, but the name also provides a clue to the murderer.

The story is well-drawn, according to the GCD,  by Dan Zolnerowich, who also did superior work for Fiction House. The cover illustrating the story is by Al Bryant.














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The origin of Doll Girl, from Doll Man #37 (1951):


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Number 1295: Doll Man’s fuzzy dino

Người đăng: Unknown on Thứ Tư, 9 tháng 1, 2013

Years before Jurassic Park, Doll Man battled a reconstituted dinosaur skeleton which a scientist has mixed with a “gibbon brain” to create a hybrid furry prehistoric critter. This is the third of our Furry Fiends and Foes week, matching superheroes with hairy adversaries. In this adventure from Doll Man #9 (1946) we have the biggest creature of the week up against the smallest superhero.

Dan Zolnerowich is given credit by the Grand Comics Database for this well drawn story.












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Number 1190: “Oh, you beautiful doll” or, “The Power of Positive Shrinking”

Người đăng: Unknown on Thứ Tư, 11 tháng 7, 2012


Since this is an origin story, of Darrell (Doll Man) Danes' companion, Doll Girl, who is also Darrell's girlfriend, Martha Roberts, you'd think Martha's transition to the power of shrinking would get more than a lousy couple of panels. But it doesn't. For an origin it seems weak to me.

Why create a Doll Girl? I think it was difficult for the writers to combine a normal-sized woman with a tiny little guy like Doll Man. He wouldn't measure up when they got down to some serious sparking, would he? (Heh-heh.)

The Grand Comics Database does their question-mark crediting for this issue, listing Dan Zolnerowich ? for pencils and Chuck Cuidera ? for inking.

From Doll Man #37 (1951):












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