Hiển thị các bài đăng có nhãn Marvel Family. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Marvel Family. Hiển thị tất cả bài đăng

Number 1405: What pours out of a Fawcett

Người đăng: Unknown on Chủ Nhật, 21 tháng 7, 2013

I haven’t had a theme week in a while, so I’ve gotten together some Fawcett comics for a “What pours out of a Fawcett” week.

First up, the Marvel Family #84 issue from the UK in 1952. It reprints part of the US issue, #76. I’ve mentioned in the past that I like these black line reprints. I also have the original color issue, and those colors cover up a lot of the sharp cartooning from the C.C. Beck studio. With this I can see each crisp line.

The Marvel Family comics, particular favorites of mine, look to me as if scripter Otto Binder had fun with the writing, and Beck and his assistants had fun with the artwork. The pro-nuke stuff is fairly typical fifties puff that atomic energy would change our lives with such things as “atomic trucks.” Imagine an atomic truck hurtling down the freeway, right on your back bumper.





























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Number 1232: The Marvel Family gets hissed off

Người đăng: Unknown on Chủ Nhật, 23 tháng 9, 2012

 I've lined up a week of stories from Fawcett, publishers of Captain Marvel, The Marvel Family, Captain Marvel Jr, and Captain Midnight, all of which I'll be showing during my usual postings through Friday.

First up, the Marvel Family “Battles the Hissing Horror.” In this instance the “horror,” the Hissmen, look more like Albert the Alligator than evil sentient reptiles from a million years ago, but that's because despite the title, the cartoony art* dispersed any real horror. The Hissmen come bent on conquest from the dinosaur era, through a time tunnel which Billy, Freddy and Mary, and their friend Dexter, discover.

It's a very entertaining story, written by Otto Binder. 

P.S. Does it look to you like Mary Marvel is taking a bloody shot to the head on the cover? No such scene appears in the comic book. In the period before Fawcett, publisher also of crime and horror comics, closed down their comic book line in 1953, horror elements were used on the covers.

From The Marvel Family #74 (1952):





















*I had originally credited Kurt Schaffenberger as artist. In the comments section of this post R.A.M. '67 credits C. C. Beck,  and after another look at the story I agree with him. The GCD credits Pete Costanza with a question mark.
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