Hiển thị các bài đăng có nhãn Steve Ditko. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Steve Ditko. Hiển thị tất cả bài đăng

Number 1463: Ditko does his Thing

Người đăng: Unknown on Thứ Tư, 30 tháng 10, 2013


Halloween is tomorrow, so it looks like I’d better get a couple of bags of cheap candy for the neighborhood monsters. But...wait. I think I have a few of those miniature candy bars left over from a couple of years ago. Heh-heh. I try to discourage the kiddies from coming back to Casa Pappy, but as I’ve found out over the 38 years I’ve lived here, the neighborhood kids aren’t discouraged by mold on stale Snickers bars.

So...where was I? For Halloween I’m presenting four Steve Ditko stories from the infamous Charlton horror comic, The Thing. The stories, scanned from black line reprints published in a 1972-73 Australian comic, Doomsday, were uploaded by scanner Bladeshade9. Thank you Bladeshade9. I appreciate your efforts, and if you come on over to my house I’ll give you some Halloween candy. I’ll even scrape off the mold.

Unlike Pappy’s candy, these Ditko stories may be old, but never moldy or stale: “The Worm Turns” and “Day of Reckoning” were originally published in The Thing #15 (1954). “Rumpelstiltskin” and “The Evil Eye” are from #14.


























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Number 1285: Daring Love of Daring Ditko

Người đăng: Unknown on Chủ Nhật, 23 tháng 12, 2012

Even if Daring Love #1 (cover dated Sept.-Oct. 1953) was not the obscure (Overstreet says “scarce”) love comic that contained Steve Ditko’s first published story, it might be known for its cover by Bernard Baily, which illustrates the historic Ditko tale.

It’s not the kind of sex we see in our porn-saturated age,but harkens back to a simpler time, when a picture like this and its implications would evoke an immediate reaction. You saw a picture of a couple in a hayloft and you just knew...they were gettin' it ON!

For its time Daring Love was aptly named.








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While we’re on the subject of Steve Ditko, Craig Yoe’s book, Ditko Monsters Gorgo will be released on February 12, 2013. I’ve read a pre-release PDF copy of the contents and it was enough to send me into nostalgic nirvana. Gorgo was a comic book I loved and bought when it came out on the comic book rack, but only the issues drawn by Ditko. (Craig has wisely chosen not to include the non-Ditko issues.)


Something I remembered about the artwork was Ditko’s underwater scenes, which I found striking at the time, and still impress me.

From the PDF copy:


I was also particularly impressed with Ditko’s design sense and dramatic staging.


This is a book I highly recommend, and if you’re a Ditko fan you’ll love it. It’s available from the usual booksellers, or you can ask your local comic book store to get it for you.
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Amazing Spiderman #2: Get a Job

Người đăng: Unknown on Thứ Hai, 7 tháng 3, 2011


Peter finds a solution to his aunt's financial problems in this issue, which also introduces the first of the major villains in Spiderman's rogue's gallery: The Vulture. As you can see from the cover above, he falls into the category of villains who facially resemble the animal after which they're named. Some others Silver Age examples include the Shark, a Green Lantern antagonist and the Clock, a Green Arrow baddie.

As the story begins, we see the Vulture making off with a fortune in bonds. J. Jonah Jameson wants photos of him:

I believe that's the only time that NOW magazine is ever mentioned in the Silver Age Spiderman; in all other stories Jameson is a newspaper man, not a magazine publisher. Maybe Stan thought that a magazine would be more willing to pay big bucks for color photos?

At any rate, Peter borrows Uncle Ben's old miniature camera and decides to get a photo of the Vulture in action. Sure enough, he gets lucky the first time out:

But the Vulture overhears him and doubles back, knocking Peter out with a vicious kick. He puts him in a rooftop water tank, thinking that Spiderman will drown, but:

Peter develops the film and does some work upgrading his equipment:

I would argue that Marvel's Silver Age characters were not as well-designed as DC's initially. Their real strength came from the way they developed over time. They became better characters than DC due to the constant tinkering.

In the next segment, the Vulture has announced that he's going to rob a jewelry shipment. The police have sharpshooters on the rooftops and a helicopter overhead. How can he pull it off?

I thought that was really cool the first time I read it as a kid and it's still impressive.

Using his spider-sense, Peter is able to locate the Vulture, who again tries the loop around gimmick. But this time Spidey's ready:

This is another one of those "I only meant for you to die," moments that Stan seemed to enjoy scripting.

Somehow Spiderman has disabled the Vulture's wings. Peter uses his web fluid to swing to safety, while the Vulture manages to slow his plummet to a nearby rooftop by spiraling downward. He lets the cops do the actual arrest, just snapping a few more pix. As for how he stopped the crook, he explains here:

As Dr Who would say, just reverse the polarity!

The second story is definitely an oddball in the Spiderman saga, as it is the only story involving aliens. However, this fits very well with the Marvel pattern, as most of the Silver Age heroes found themselves up against other world menaces in their second issue: the FF, Iron Man and the Avengers, for example.

Peter gets an assignment to work with one of the sharpest electronics minds around, Dr Cobbwell. But his first task doesn't require a lot of brainpower:

Of course vacuum tubes in radios were about to go out with the advent of transistors. Peter senses some weird electronic emanations coming from the basement of the radio repair shop, and later he realizes that the same emanations are coming from the repaired radio at Dr Cobbwell's. So he decides to pay another visit to the Tinkerer in his costumed identity.

Eventually the aliens capture him but he escapes and foils their plans for invasion, so they leave.


Update: The aliens concept doesn't seem well-suited to Spiderman, just as it was inappropriate to Batman. Although both faced major-league criminals and super-villains, they also dealt with the low-level hoods. This is not all that surprising as both lost relatives to common street thugs.
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Amazing Spiderman #1

Người đăng: Unknown on Thứ Sáu, 4 tháng 2, 2011


George M. Cohan once observed that plotting a three-act play was relatively simple. In Act 1, you get the hero up in a tree. In Act 2, you throw stones at him. In Act 3, you get the hero down from the tree.

Many comic stories follow this simple formula. Where Spiderman was different, was that Stan and Steve never got him down from the tree; they just kept throwing the stones at him.

This issue offers a classic example. After a quick summary of the events in Amazing Fantasy #15, we see that Uncle Ben's death has put Peter and Aunt May in a rough situation:

Peter considers taking up crime to pay the bills, but he knows it would break his aunt's heart if he were ever arrested. So he gets the bright idea of going into show business. Problem solved? Nope, because there's another stone waiting:

Spidey indeed finds it impossible to cash his check. And things get even tougher with the first appearance of his longest-running nemesis:

The inspiration for J. Jonah Jameson is probably found in the works of Ayn Rand. In the book The Fountainhead, Howard Roark runs afoul of a character named Ellsworth Toohey, who sees it as his duty (as a socialist) to tear down heroic individuals in favor of the ordinary working man. Ditko was famously a Rand fan, and echoes of her philosophy often appeared in Spiderman and in the Question series, as I discussed here.

Jameson's son is an astronaut (note: astronauts were huge celebrities in 1963), and is being launched into space shortly after Spiderman is basically drubbed out of the entertainment biz. But his space capsule develops a problem and he appears to be doomed until Spiderman steps in:

He commandeers a plane and a pilot from a nearby base and:

He rescues Jameson's son and emerges a hero to all, right? Well, yes to the former, but Stan and Steve haven't finished off their pile of stones:

Jameson has trumped up a patently ridiculous charge that Spidey had caused the problems with the capsule in the first place, so that he could look like the savior. So our friendly neighborhood Spiderman remains treed:


In the backup story, Spiderman tries to join the Fantastic Four, figuring that he ought to command a good salary with them. But:

The remainder of the story features Spiderman's first battle with the Chameleon, a quick-change artist. At one point, the Chameleon impersonates Spiderman himself. Peter captures him but the Chameleon gets away and does another makeover. We see the first appearance of Spider-Sense here:

The Spider-Sense is an ingenious gimmick that would become an important weapon in Spiderman's arsenal. But when he catches the phony cop, the Chameleon claims loudly that Spiderman is really the Chameleon in disguise again. This results in Peter fleeing, angry and hurt:

Like I said, the stones never stopped coming.
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