Number 1610: Flying gorillas from outer space!

Last week I showed some gorilla horror stories, and now a gorilla science fiction tale from DC. Flying monkeys have been around since the Wizard of Oz, but flying King Kong-sized gorillas, well, that's new.

Not only are they flying giant gorillas, they come from a planetoid which has parked itself in Earth’s sky so the flying giant gorillas can steal our atmosphere. Atom bombs can’t stop them, so our scientists use fear gas* on them. What a crazy plot.

Script is by Gardner Fox. Fox wrote it for editor Julius Schwartz, who used high concepts when planning out stories for his magazines. It’s drawn by Carmine Infantino and Murphy Anderson, and it appeared originally in Strange Adventures #125 (1961). The striking cover is by Sid Greene.

I bought this issue of Strange Adventures when it came out. As goofy as the story is, and despite my love for gorilla-fiction, what I remember most about the comic were the full page ads that heralded Joe Kubert’s Hawkman and the first full-length Aquaman comic.

*There really is such a thing as fear gas, although that name implies that is the gas’s sole effect. It does a lot more damage than that. You can read about it here.

UPDATE: I found this incredible Chinese fireworks package  on the Design/Destroy website a few days after posting the story. I love a coincidence.

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Number 1561: Hidden people

Having had a close relative, now deceased, who “saw” invisible people I can tell you that those hallucinations can be very real to the person having them.

In this story from Strange Adventures #13 (1951), Scott, our main character, sees invisible people after an eye surgery. Really sees them. That’s because in fantasy and science fiction we accept as literal the extraordinary things happening to the characters. Yet when reality touches fiction, people would react to someone seeing invisible people as the extras do here, by assuming the person seeing said invisible aliens from Venus to be mentally ill. And how do we know they aren’t correct — perhaps Scott Fulton is hallucinating, and we are just seeing what he thinks he sees? Well, because this is a comic book, that’s why.

One thing bothers me, though. At the end of the story Scott is married to the invisible girl from Venus. So who conducted the ceremony? “I now pronounce you husband and, errrrr...uh...invisible wife.”

Story written by Edmond Hamilton using the pseudonym Hugh Davidson, pencils by Bob Oksner with inks by Bernard Sachs.

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Number 1445: Strange adventures of the three genius hillbillies and the monster fisherman

There’s a sense of humor in both these stories from Strange Adventures #21 (1952). The three Herbert brothers, hillbillies who speak like, “We’m the Herberts. We’m heerd tell of a war goin’ on! We’m come to jine the fightin’!” are actually much smarter than they originally appear. The second story, which is cover featured with a beautiful illustration by Murphy Anderson, who also drew the story, is a reverse fish tale.

And that second story causes me some reflection. This issue of Strange Adventures is dated June, 1952. The Al Feldstein/Jack Davis story, “Gone...Fishing!” is from Vault of Horror #22, dated December, 1951-January, 1952. It probably went on sale in October, 1951, and if he saw it could have conceivably planted an idea in writer Jack Miller’s mind. In the EC story the “fisherman” is unseen. Perhaps Miller thought it would be fun to show what was fishing for humans.

From Vault of Horror #22. I scanned this from the Russ Cochran reprint, Vault of Horror #11.

It’s just conjecture, but I find the timing of both stories with similar themes interesting.

“The Genius Epidemic” is by Gardner Fox, drawn by Irwin Hasen and Joe Giella, and “The Monster That Fished For Men” is written by Jack Miller, drawn by Murphy Anderson.

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Number 1403: Other Earths

Bram Hilton zips along through space at one million light years per second in his intergalactic bell jar. I assume he needs to go that fast because the bell jar is small with no refrigerator, microwave oven, wet bar or toilet, and he probably needs a lot of rest stops. What he's looking for with a “vibration-duplicator” guiding him are other Earths that are like our planet, just in different phases of time. He ends up in Troy and at the Lincoln assassination. Pretty good timing for taking vibration-duplicator potluck!

Murphy Anderson drew this story for Strange Adventures #10 (1951), and the writing is credited on the splash page to Manly Wade Wellman. Wellman wrote science fiction and fantasy for several decades, and I have read many of his stories and books. I don’t recall any of his prose fiction being as oddball as this comic book story, and I attribute that to editor Julius Schwartz handing him a plot to work from, and having Wellman do his best to make sense of it.

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Number 1265: Sideways in Time!

The comparisons to Planet of the Apes jump out of this story. But it was published years before Pierre Boulle's 1963 novel was published in France, and adapted as an American movie in 1968. I'm not claiming any kind of plagiarism, but it’s an interesting coincidence. The idea of apes evolving as apes with human-like abilities wasn't a new idea even in 1951, when “Sideways in Time!” appeared in Strange Adventures #12. (And, of course, there's that whole thing of gorillas and DC Comics, told several times in this blog.)

The term “alternate universe” wasn't used in the story, but that’s what writers Jack Miller and John Braillard were describing.

The artwork is attributed by the Grand Comics Database, via editor Julius Schwartz's records, to Mel Keefer and Bernard Sachs.

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