Living On Borrowed Time

Người đăng: Unknown on Thứ Ba, 17 tháng 10, 2006

That was the schtick of the Challengers of the Unknown. Ace Morgan, a test pilot, Prof Haley (Hale in #1), a skindiver, Red Ryan, a circus daredevil, and Rocky Davis, an Olympic wrestling champion. After they survive a plane crash unhurt, they decide to band together and take on dangerous assignments because, after all, they shouldn't rightly be alive anyway.

The series marked the (brief) return of Jack Kirby to DC Comics. Kirby had been influential with DC in the early 1940s, creating several long-running series like Boy Commandos (originally a Detective Comics backup strip, who later expanded into their own book which lasted a full 36 issues and the Newsboy Legion, who held down the lead feature in Star Spangled Comics for several years.

The Challengers first appeared in Showcase #6, the Jan-Feb 1957 issue. They made three more appearances in #7, #11 and #12, before graduating to their own title in Apr-May 1958. They were the second feature to make the jump from Showcase to headlining a magazine after Lois Lane, but before the Flash.

One of the more interesting facets of the Challengers was that they started out with book-length tales. This was unique for DC comic books of the time, which always had at least two stories and usually had three. Kirby broke the stories into four parts and had splash panels on each part, very much like what he would do with Fantastic Four a few years later. Oddly enough, though, when the series moved into its own title there were generally two stories in each issue.

June Walker (later June Robbins), a highly regarded young scientist was an honorary Challenger. Of course, like many other DC features the Challengers would eventually attract a bunch of subsidiary characters.

The Challengers initially had rather bland purple uniforms that basically looked like a sweatsuit, although that would change twice before the Silver Age was finished. They went to an ugly yellow and red combination with an hourglass (symbolizing borrowed time) in Challengers of the Unknown #43, then to back to purple suits with yellow striping on the arms and legs in #70, one of the last original issues.

One interesting facet of the early Challengers was the use of "modern" science. In Challengers #1, a Dr Evil-type steals a rare transistor. In #2, we see what a good calculator looked like back in 1958:



The series was edited by Jack Schiff, and as with all Schiff's titles suffered from a surfeit of monsters, dinosaurs and weird transformations.
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Dr Strange Part II

Người đăng: Unknown on Chủ Nhật, 15 tháng 10, 2006

Dr Strange returned in Strange Tales #111. This story introduces his arch-rival, Baron Mordo. Mordo is another former student of the Master, the Tibetan monk who taught Dr Strange the Mystic Arts. His ecoplasmic form compels the Master's servant to poison him, and hectors the Master to give him all his secrets if he wishes to remain alive. Fortunately Dr Strange arrives and saves the day. This is a very short story (only five pages), and the last Dr Strange for a few issues.

Dr Strange returns in Strange Tales #115, in "The Origin of Dr Strange". Stephen Strange (the first we learn his given name) was a skilled but arrogant and money-hungry surgeon. A car accident leaves the nerves in his hands damaged and he becomes a drifter. When he hears of a man who can supposedly cure anyone, he seeks out the Master in Tibet. However, the Master is not willing to help him because his motives are selfish, but he does offer to tutor Strange in the magic arts.

Strange is introduced to the Master's other pupil, Baron Mordo. Mordo is trying to kill the Master. Mordo casts a spell preventing Strange from warning the Master of his danger. Strange realizes that in order to defeat Mordo, he must learn black magic himself.

The next appearance is in Strange Tales #116. Dr Strange faces the villain from the first story, Nightmare, who has worked out a way to bring sleeping humans into the dark world he inhabits.

Ditko's artwork is again perfect for the moody, mystical story:



Dr Strange manages to rescue the sleeping men from the clutches of Nightmare, but not without considerable risk to himself.

This was also the last issue of Strange Tales not to feature at least a mention of the Dr Strange story on the cover.

For the previous Dr Strange post, click here.
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I'm Late to This Party

Người đăng: Unknown on Thứ Ba, 10 tháng 10, 2006

But Dial B for Blog, which is always terrific, has a superb series on Ira Schnapp. Who was Ira Schnapp? One of the most important men in the history of comics. This is highly recommended!
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"Imaginary" Stories

Người đăng: Unknown on Chủ Nhật, 8 tháng 10, 2006

In the early 1960s, Mort Weisinger, the editor of the Superman line of comics (including Action, Adventure, Superman, Jimmy Olsen, Lois Lane, and World's Finest) began to allow his writers to script what were called "imaginary" adventures. Of course, all superhero comics are "imaginary", but these stories allowed the writers to break some of the rules that were required with such successful continuing characters. We could see what might happen if Lois Lane married Superman (or Lex Luthor) while the next issue could completely ignore that wedding, because it had been clearly labeled an imaginary story.

I suspect in some ways this was an outgrowth of the way DC's comics of the early 1960s often featured what I call a "puzzle" cover. The puzzle was "Why is this happening?" For example, suppose the cover showed Jimmy Olsen doing something particularly nasty to Superman, like the following:







The last one even offers a double puzzle since not only is Olsen betraying his friend, but Brainiac and Luthor, Superman's worst enemies, are pleading for his life.

Anyway, the point is that DC loved these puzzle covers and so apparently did their readers. But of course it became tougher and tougher for the writers to create situations that managed to not only create a great puzzle cover, but which ended with everybody unchanged essentially. Hence the imaginary stories.

The concept has proven irresistable. Marvel published hundreds of "What If" issues and DC has its "Elseworlds" line; both are clearly inspired by the "Imaginary" stories. Of course you can track imaginary stories back to dream stories; the difference is that you don't have the falling asleep and waking up scenes.

I believe (but I'm not sure) that the first "Imaginary" story billed as such was "The Death of Superman" in Superman (V1) #149, November 1961. This is one of the most famous Superman stories of all time because it does not cop out at the end; Superman dies and Supergirl (until then still unknown) must carry on her cousin's tradition. (Correction: As noted in the comments, the first imaginary story is "Mr and Mrs Clark (Superman) Kent" from Lois Lane #19, August 1960).

In the story, Luthor convinces the world and Superman that he's reformed by finding a cure for cancer, then ambushes his longtime opponent and kills him with Kryptonite. Supergirl apprehends him (much to his dismay), but Luthor thinks he can escape the death penalty because he knows how to expand the bottle city of Kandor, where the trial is taking place, to normal size. However the Kandorians demand justice and Luthor is sentenced to the ultimate penalty.

There were some terrific "Imaginary" stories; "The Story of Superman Red and Superman Blue" in Superman #162, "Jor-El II and Kal-El II" from Superman #166, and "Clark Kent's Brother" in Superman #175 were all excellent three-part tales that explored Superman's character in new ways that would not have been possible otherwise.

Unfortunately, the great stories did not come without a price. Some stories which created bad characterization would be undone by the explanation that "it was an imaginary story". For example in Superman #205 (April 1968), it was disclosed that a heretofore unknown villain named Black Zero had actually destroyed Krypton. Jor-El was wrong, the planet would not have exploded without Black Zero to restart the nuclear reaction.

This of course was horrific characterization for Jor-El, who was God the Father in the DC universe in those days and the story was kicked under the carpet. In a similar fashion, DC explained in Flash #167 that Barry Allen had not been hit by chemicals and lightning by accident in Showcase #4; rather he'd been blessed by a Guardian Angel. Exit Guardian Angel stage left.

For the most part the "Imaginary" stories were confined to Superman, but a couple crept over to Batman via the World's Finest title, so we saw what would happen if Bruce Wayne had been adopted by the Kents. In an influential pair of stories, DC tried an imaginary look at Superman and Batman's sons in World's Finest #154 and 157. Amusingly, forced to come up with a wife for Batman, Weissinger chose Kathy Kane aka Batwoman, who had been retired from Batman for about two years.

No DC stories of the Silver Age that did not prominently feature Superman were billed as imaginary at the time, although they have been retconned to that status.
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Amazing Spiderman 48-49

Người đăng: Unknown on Thứ Ba, 3 tháng 10, 2006

In Amazing Spiderman #48, Marvel did something rather interesting. They replaced an aging villan (the Original Vulture) with a newer, updated version. Blackie Drago was the cellmate of the OV, and has been pestering him for the secret of his wings. The Vulture, facing death as a result of a machine shop accident, decides to divulge the hiding place of a pair just outside the prison walls.

At this point Blackie laughs and reveals that he was responsible for the accident which injured the Vulture. He wastes little time in breaking out of prison and once he has the wings he seems to be invulnerable, especially since our friendly neighborhood Spiderman is coming down with a cold.

The story comes to a climax atop a bridge, with a hostage and Spidey facing an enemy who can fly. This time, however, the hostage is a nobody and thus does not die. Eventually the new Vulture manages to defeat Spidey, helped a great deal by the latter's illness.

There are a few examples I can think of where an old villain was replaced by a new one in the GA and SA. For example, Batman's old nemesis Two-Face came back as two different people before Harvey Dent himself resumed the role at the very end of the Golden Age. Still, it was not common as of 1967, when this story first appeared, although of course in modern comics there are many examples of crooks retiring and others (sometimes related, sometimes not) taking over their names.

Another interesting aspect to the story is that it's plainly set in the winter in New York, and the weather plays a key role in the story.

In ASM #49, Kraven reappears. Jealous that the Vulture has gotten attention by defeating Spiderman, he resolves to attack Drago. Meanwhile, Peter is still sick and recuperating in bed. Aunt May stops by and insists on calling Dr Bramwell, the family doctor. While Peter is waiting to see him, and starting to feel much better, he learns that Kraven and the Vulture are tearing up the city. So he joins the battle and this time manages to decoy Kraven into kayoing the Vulture before he removes the former's ray gun that so devastated Peter in ASM #47.
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Amazing Spiderman #46-47

Người đăng: Unknown on Thứ Bảy, 16 tháng 9, 2006

ASM #46 starts rather abruptly. Spidey, his arm still in a sling from his battle with the Lizard in #44, encounters the Shocker, a guy with special vibrating gloves which give him extraordinary power. He kayos Peter and gets away.

The next big event in Peter's life comes later. Harry Osborn's dad has rented an apartment for him close to Empire State U. He invites Peter to take the second bedroom. Of course, our hero is thrilled at the prospect, but has to figure out whether it would be an inconvenience to Aunt May. Fortunately, she has already decided to move in with Anna Watson, so for once things seem to be breaking Peter's way. At this point he appears to be casually dating Mary Jane, but Gwen is starting to interest him more.

Spidey handles the Shocker in their second battle by not allowing the crook to use his thumbs on the vibrating gloves. Some modest pop culture and political references; Spidey mentions Hubert Humphrey and The Man from UNCLE. Still, we get some inevitable teenage angst here:



Kraven returns in #47, as well as (briefly, in flashback) the Green Goblin. We learn that Gobby had hired Kraven to attack Spiderman in ASM #34, something that was not disclosed at that time. In addition, Norman Osborn himself (aka the Green Goblin) had acted as a go-between, exposing himself as a crook to Kraven.

Kraven has developed a new ray that will eliminate Spidey's super-speed, and is confident once that is gone he will be able to subdue Webhead. We get a long dose of the Archie stuff:



But eventually the battle starts. Kraven decides to kidnap Harry, who's with Peter at a going-away party for Flash Thompson, who's been drafted into the army as discussed in earlier issues. Peter sneaks away and reappears as Spiderman. He taunts Kraven into dropping Harry and they fight. This time Kraven defeats him with his ray, but stops short of killing him when Norman Osborn shows up. However Kraven is baffled when his jungle senses tell him that Osborn doesn't remember him at all. Of course, he had no way of knowing that Osborn has amnesia about his Green Goblin years. Kraven decides that his victory over Spiderman is enough and dashes off.
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Lo, There Shall Come a Geek

Người đăng: Unknown on Thứ Hai, 4 tháng 9, 2006

Of all the weird heroes to arise at the end of the Silver Age, and there were a lot of them, perhaps none was weirder than Brother Power, the Geek. A creation of Joe Simon, the less famous half of the Simon & Kirby team, Brother Power came to life via spontaneous generation. He was originally a tailor's dummy, but combined with the heat from a radiator, a little machine oil, and a spark from a bolt of lightning, he came to life.

He was initially a friend of hippies, but aspired to more than their lifestyle. He had incredible strength, which came in handy for beating up a bunch of motorcycle goons:



In the first issue he's kidnapped to be a featured attraction at a carnival freak show, but his hippie buddies rescue him. He decides he wants to become a politician, but the carnival operators convince the cops to arrest him for breaking up their tents. At the end of the first issue he drives off the Golden Gate Bridge.

In the second issue, after being pulled from the deep by another group of losers, and almost kidnapped by a bizarre Baron with a Fokker biplane (sic), Brother Power goes into the world of business. He rapidly moves up the ladder, with smart thinking and hard work. Eventually he runs a major missile plant, beating out a villain named Lord Sliderule. But Sliderule gets revenge by sabotaging a missile launch. BP is once again wanted by the police. He sneaks into the missile in an attempt to escape but Lord Sliderule blasts it into space. The hippies manage to convince the cops that LS is to blame for the problem with the missile launch, but in the meantime, what will happen to Brother Power?



Despite the promise of a next issue, none appeared and Brother Power, The Geek was sidelined for several decades, although he did pop up in a couple comics in the 1990s.

In retrospect, it seems like DC had decided to try to go after the burgeoning hippie market. In some ways this seems inspired, but of course as with much that DC did back then, it was half-hearted. It poked fun at the hippies for their laid-back lifestyle and while this was certainly a fair criticism, it did undercut the marketing to many teens who saw the hippies as role models (mostly because they were their older brothers).

This Wikipedia entry certainly indicates that BPtG was controversial in DC's halls.

While sales of the title were modest, Brother Power was not popular among the staff. DC Comics artist Carmine Infantino claimed in an interview that Superman editor Mort Weisinger disliked the character very strongly, and petitioned DC publisher Jack Liebowitz to shut down the title. Weisinger hated hippies and felt that Simon portrayed them too sympathetically.
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