Thank You For Not Smoking

You can't help thinking that the Martian Manhunter would have a much easier time of it in today's virtually smoke-free society than back in the puff-a-holic 1950s:

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Super Swipe #9: Space Circus

Up till now, all the swipes I have covered involve stories updated for either Superboy or Superman. But here's one where a Superboy tale was converted into a problem for his adult counterpart:


In both stories, a circus advertising itself as being from another world sets up on the outskirts of town (Smallville and Metropolis, respectively). Both circuses require coins instead of bills:


The updated version does have one of my favorite goofy Silver Age panels:

In each case, Kal El prevents a disaster from occurring, resulting in a surprising offer:


But the circus owner won't take no for an answer, and sics some of his monsters against the Lad/Man of Steel. At first he is able to defeat them, but:


Neither beast can beat Supes, but he cannot beat them either. It looks like a stalemate, but the circus owner threatens to loose the monster on the nearby town. So Superboy/Superman agree to join the circus reluctantly, but warn that they will leave if they can figure out away to defeat their nemesis. Which they shortly do:


Incidentally, these stories fit Weisinger's seven year pattern nearly precisely with Adventure #198 coming out in March of 1954, while Superman #145 carried a cover date of May 1961.

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A Taste of Moronica

This one's a little out of my normal bailiwick, being published in 1952, but I just read this story and found it hilarious. ACG briefly came out with a comic called Dizzy Dames (subtitled Screwballs in Skirts). Nowadays, of course, it would be decried as sexist, but was it back then? Remember, this was the era where comedy duos relied on one dimwit and one straight-man. Were Burns and Allen sexist, or I Love Lucy? And of course it was not uncommon for the shoe to be placed on the other foot; the Honeymooners is a classic example of a sensible wife exasperated with her buffoonish hubby.

Anyway, I loved this story and had to share it with you. Any idea who the artist is? His work is deceptively simple but very expressive.

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Fatman, the Human Flying Saucer #1

Of all the weird titles launched at the end of the Silver Age, this has to be one of the strangest. Milson Publishing (aka Lightning Comics) appeared in 1967, published three issues of this comic and two issues of Super Green Beret, then vanished into the mists. The book did have some sterling credentials behind it, as the creative team was Otto Binder and CC Beck, the men responsible for Captain Marvel in the Golden Age.

Fatman is something of a composite of Captain Marvel, and the other overweight hero of the 1960s, Herbie. Does this ring some bells?

But we quickly learn that Van Crawford has powers and abilities far beyond those of mortal men. Via a flashback, we learn that he was bird-watching one day, when he spotted a flying saucer about to crash. He demonstrates that some of his powers were innate to his avoirdupois form:

As the saucer lands on the tree he knocked down, it changes into an alien. It turns out that it was just testing him to see if he was a suitable candidate for super powers. Sure enough, he passed, and the alien gives him a potion that allows him to turn into a flying saucer at will. He later learns that he can change back just by speaking his own name, much like Captain Marvel could change back to Billy Batson by saying "Shazam!"

In the first issue, he battles some crooks who use jets for their getaways. This makes the "change into a flying saucer" routine useful. Like many superheroes, he gains powers as needed by the script:


And when he encounters a sea monster:

In the third story in the comic, Fatman picks up an ally in the war against crime: a beanpole teen named Lucius Pindle who wants to be stronger. He tries exercise, but he can't even lift a barbell. He tries mixing up a formula in his chemistry set, but it just leaves him with a bad aftertaste. Finally he tries a spell from a book of magic and presto:

At first, he has great fun with his powers as Tin Man, but when a lightning bolt hits him he runs amok. So Fatman assumes he's a villain, and they have a classic Marvel-style battle until Tin Man speaks his own name, causing him to change back into Lucius Pindle again. (Shades of Captain Marvel!)

In the final story, Tin Man battles the sea monster in what appears to be just a friendly match, refereed by Fatman. And for a moment, the monster agrees to join their team, but then:

And that's basically the end of the comic, except for a promise that the next issue will bring some major villains:


Comments: Amusing and lighthearted intro to the series. Why didn't it succeed? I suspect there are several reasons. First, the title is off-putting. The publisher probably thought that noting that the book was produced by the creators of Captain Marvel would overcome this, and it may have gotten some of the older fans interested enough to buy it. But for kids like me, Captain Marvel generally drew a shrug. He had last been published in 1954, and none of his adventures had been reprinted. Most of us only knew him from a line in the Beatles' song, Bungalow Bill. Second, the price point of 25 cents was a little steep for a new character. And third, I suspect they just missed the market by putting this out ihttp://www.blogger.com/img/blank.gifn early 1967, when all the other publishers had jumped on the superhero bandwagon by 1965.

Update: Booksteve comes by in the comments and notes that the Bungalow Bill song wasn't released until 1968, so I probably would not have heard of Captain Marvel by the time this comic came out. He adds:

I remember I knew who CAPTAIN MARVEL was but I don't know how. I remember very distinctly though that I had heard of him and the "Shazam" thing but...how? I know I'd never seen any of the comics.

Perhaps I can answer that. There was one very well-known TV character who used the word "Shazam!" a lot back in the 1960s.

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1528 - Destination Haiti

 Update 4th May: New links for D-231 (1000 px width) are added in 100th post.

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Writer: Claes Reimerthi

Artist: Kari Leppänen

1528 - Destination Haiti (NEW LINK)

Scanned, edited & uploaded by "Laki"

Courtesy: Kit walker 

All credits go to both friends.

Egmont  Cover

Fantomet #26 - 2008

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1404 - Eye of the Hurricane (Phantom Year One)

Story:    David Bishop
Art:    Kari Leppänen

1404 - Eye of the Hurricane

Scanned, edited & uploaded by "Laki"
Courtesy: Kit walker
All credits go to both friends.

 

 

 

 

 

 

 

 

 

 

 

 

Egmont cover:

 

Fantomet #26 - 2004

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1345 - Treasure of the Astecs

Story:    Ulf Granberg
Art:    Jaime Vallvé

1345 - Treasure of the Astecs

Scanned, edited & uploaded by "Laki"
Courtesy: Kit walker
All credits go to both friends.

 

 

 

 

 

 

 

 

 

 

 

Egmont Cover:

Fantomet #13 - 1976

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