Người đăng: Unknown on Chủ Nhật, 11 tháng 3, 2012


Number 1120


Monsters from the deep freeze


It's number two of our week of monster stories.

Since comic books stories of the Golden Age were mostly "one and done," it's somewhat unusual, although not unheard of, to have a story "continued next issue." Ah, for that part of the Golden Age...if you missed an issue you weren't lost.

This Airboy adventure is part 1 of a two-part story, set in the frozen north. It's got a villain named Zzed and some monsters frozen in the ice. It's drawn by Ernie Schroeder, from Airboy Comics Volume 7 Number 4 (1950).

Come back tomorrow for part 2.
















We've had more Airboy stories on this blog, including one set in Paris and featuring Crabmen. If you like these monsters you'll probably like the Crabmen of Paris. I showed it in Pappy's #968.
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Người đăng: Unknown on Thứ Sáu, 9 tháng 3, 2012


Number 1119


The werewolf comes from out of the night!


[I'm going to have some fun and show some monster stories; postings through Pappy's #1124 on March 24 will have monster stories of various types.]

Out Of the Night
, which is a great name for a horror comic, came from ACG to be an addition to their two best-selling horror titles (they actually called them "supernaturals"), Adventures Into the Unknown and Forbidden Worlds. Apparently the supply of stories featuring vampires, werewolves and zombies was endless, because they felt they needed a third book in the line. Out Of the Night lasted 17 issues, suspending publication after the November 1954 issue. The Comics Code was being implemented and that might have had something to do with it, but it could also be that sales on OOTN were down, and the book would have been killed, Code or not.

The first issue, from 1952, is strong, with a great Ken Bald cover and a sharp lead story by Al Williamson and Harold LeDoux, signed with the pseudonym Harold Williams. LeDoux went from comic books to the Judge Parker comic strip, eventually (after more than a decade) getting sole credit and his byline on the strip. He is retired and apparently still with us at age 85. Al Williamson died in December 2010.










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Người đăng: Unknown on Thứ Tư, 7 tháng 3, 2012


Number 1118


Brand recognition


Fawcett marketed a self-contained universe, a brand which identified the Captain Marvel characters. From Captain Marvel came Captain Marvel, Jr., Mary Marvel, Uncle Marvel, the three Lieutenants Marvel, even Hoppy the Marvel Bunny, who is also called Captain Marvel Bunny. By using the same name or slight variation the readers were assured that they were a part of a whole, an instantly recognizable franchise. Pretty smart! They could start even the youngest children off with a funny animal version of Captain Marvel and then work him up to the Big Red Cheese himself. At least I think it's how it's supposed to work from a marketing standpoint. Hoppy came along in Fawcett's Funny Animals in 1942, then graduated to his own title after the war.

Chad Grothkopf, who created Hoppy/Captain Marvel Bunny, as well as Willie the Worm, was an animator and prolific comic book/strip artist, whose work appeared from the '30s to the '80s. He died in 2005. Hoppy appeared until the demise of Fawcett's comic book line in 1953.

I like Chad's art, recognizable by sweat drops popping off every character, as well as speed lines and puffs of dust or smoke in practically every panel. Chad's drawings are charming, but as you can see from this first strip from Hoppy the Marvel Bunny #1 (1945), sometimes suffer from crappy printing jobs. After DC shut down the Captain Marvel franchise as the settlement of a long-running lawsuit, Hoppy was bought, with other non-Captain Marvel Fawcett characters, by Charlton and renamed Magic Bunny.







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Người đăng: Unknown on Thứ Hai, 5 tháng 3, 2012


Number 1117


Catfight in the jungle!


A couple of weeks ago I featured a crazy ACG two-parter drawn by Ogden Whitney, "Delinquent in Space." Today we are more down to earth with a Whitney story from 1948, "Undercover Girl," wherein our heroine, Starr Flagg, looks for the formula for a product to "rot steel." Undercover Girl (who is literally under the covers in the panel at the top of this page) meets up with—and girlfights—a sexy tough chick with a whip, and a large blue gorilla.

And I said this was down to earth?

From M.E.'s Manhunt #5, 1948:







Gardner Fox was most likely the author of this tale, as he was the two-page text feature for the issue, which got the cover position. Among other fiction, Fox also wrote fantasy/sf pulp magazine stories for Planet Stories and Amazing, and paperback novels like Warrior of Llarn. Like other comic book writers Fox wanted a byline, wanted to be taken seriously as a wordsmith. I like Fox, and though this text piece isn't great, it's just fine in the medium for which it was written (after all, who read those text pages in comic books, anyway?) He got a byline, and not only that, a cover credit!

I also showed scans of an original Gardner Fox Hawkman script I got from DC editor Julius Schwartz in the 1960s. You can see that in Pappy's #1045.



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Superman #173

Người đăng: Unknown on Chủ Nhật, 4 tháng 3, 2012

The opening story is The Untouchable Clark Kent.  The premise for the story can be gleaned just from this opening panel:
The former Hollywood star who can't get a role anymore is something of a cliche in DC comics; those of you with long memories may recall that the villain in the original Clayface story in Detective #40 had a similar motivation. And spotting the inspiration for the tale isn't difficult either; the Untouchables TV show had just finished its successful run on TV.

Babson is still wacko, and thinks that Clark is John Dillinger and Lois his moll.  He recruits them into his gang at the point of a gun.  They head to his hideout, which turns out to be where the old movie company that Babson worked for has a cache of weapons.  There are several sequences that follow where Clark has to protect both Lois and his secret identity.  For example:


Hmmm, super-aiming must be another one of those superpowers that time forgot.  But when he breaks the window with his first blast, Lois convinces herself that Clark didn't actually shoot out the candles, but that the draft from the broken window did it.  The solutions get even more elaborate:
Of course, that doesn't explain Lois' first question about how he could make a bomb.  With the pest now out of the way, Superman/Clark goes into action.  Knocking out Babson with some gas, he:
Now, using the power of mental suggestion, he convinces Babson that they actually pulled a robbery, at the end of which Clark/Dillinger engages in a little gratuitous violence:
This shocks Babson out of his delusion.  Clark explains that he must have dreamed the whole thing while under the influence of the knockout gas.  He and Lois are still impressed with his acting abilities, and Clark manages to get him a job on TV, where he wins an award for his portrayal of a judge.

The second story is the first of the Tales of Kryptonite series that I discussed several years ago.  This was an exceptionally wacky set of stories told in first person from the standpoint of a chunk of Kryptonite.  You can get an idea for the stories from this panel:

Green K that not only thinks, but even tries its hand at telepathy.

The third story is the cover feature, and it's a doozy.  The stage is quickly set:
 You can see the fly heading rapidly for the ointment right there.  Jimmy muses as he flies to the distant galaxy:
Heheh, always the optimist, that Jimmy!  It turns out that it was a trap set by Luthor and Brainiac, who had planned to project the Man of Steel into the Phantom Zone.  Initially they're inclined to do the same to Jimmy or to shrink him into nothingness, but then Brainiac gets an idea:
Jimmy's odic ancestroid genes are indeed vulnerable, and so the only question is who gets to do it.  Luthor and Brainiac engage in a contest to see who can destroy the most worlds, with the winner to get the honor of inflicting Fate Z on the cub reporter:
Mwahahahaha, we're so evil! Luthor makes a great comeback to win the event.  But Jimmy manages to escape from his cell and when the villains return he uses a metal transmuting machine:
Yep, Luthor is actually Superman in disguise, and he's been teaching Jimmy a lesson.  Jimmy figured it out when he noticed that all the spectators at the world-destroying event were sweating, but Luthor didn't perspire at all.  And he realized that Brainiac must be Batman because:
Except, of course as we all know, you can't see Batman's eyes through his cowl; he's got some sort of covering on the slits that lets light in only one way.

One thing that I did find very amusing in this story is that while Batman and Superman are just presented pictured normally in "Luthor's" rogues gallery, Superman apparently couldn't resist poking some fun at his old buddies the Legion of Super-Seniors:
And the cover scene? Superman knew that once he revealed himself, Jimmy would realize that scene of him changing into Clark Kent was just another part of the gag.  Great kidder, that Superman!

Overall comments: This issue features pretty much the entire Superman lineup of creators; the stories are written by Leo Dorfman, Otto Binder and Jerry Siegel and illustrated by Curt Swan, Al Plastino and George Papp.  It's an entertaining issue, if a little too much on the goofy side.

Update: Robby Reed covered the Tales of Green Kryptonite story in this issue a month or so back.
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