Number 1522: “And now, the Beatles!”

Người đăng: Unknown on Chủ Nhật, 9 tháng 2, 2014

Incredible. It is fifty years ago today, Sunday, February 9, 1964, that my brother and I watched the American television debut of the Beatles. It seems incredible that it has been a half century, because unlike my brother and me the music has never grown old.

To commemorate that occasion I'm showing 20 pages from the Dell Giant, The Beatles, which came out during that giddy initial period of Beatlemania. The Beatles story is somewhat cleaned up (perfect for Joe Sinnott’s drawing), but yeah, yeah, yeah,  it is what we were being told about the group when the Beatles first came to the United States.





















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#660 - The latest Tarzan strip

Người đăng: Unknown on Thứ Bảy, 8 tháng 2, 2014

Here is the just concluded reprint of a Tarzan daily strip. Artwork by one of my most favorite Tarzan artists - John Celardo.

This was collected and sent to me by Emile.



Download the story here from Emile's original Link.










Enjoy and express your thanks to Emile.
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Number 1521: Big wheels

Người đăng: Unknown on Thứ Sáu, 7 tháng 2, 2014

Fans of both Airboy Comics and Blackhawk might have been surprised to see two similar contraptions on the covers of each, close together. Blackhawk was out first, cover-dated September 1952, while Airboy Comics followed shortly in an issue dated December 1952.

Blackhawk cover by Reed Crandall

So...is the Airboy wheel a retread? (Yuk, yuk.)

From Airboy Comics Volume 9 Number 11 (1952). Art by Ernest Schroeder.









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Number 1520: Everything I know about cheating spouses I learned from EC Comics

Người đăng: Unknown on Thứ Tư, 5 tháng 2, 2014

I was sheltered as I was raised, not allowed to make a fist until I was 23 (as actor McLean Stevenson used to say). Well, it wasn’t quite that bad, but up until I entered puberty I had no idea about The Real World Out There, the one where people who are married are sneaking around on each other. Puberty coincided with reading used copies of EC Comics, which I bought mail order (50¢ each!) from Bill Thailing in Cleveland, Ohio. Hoooo boy, did I learn a whole lot from them!

First and foremost I learned that when a wife or husband is cheating they will either kill their spouse or be killed by their spouse. Then they will return from the grave to wreak revenge. I believed the first, but not the second. No, revenge could not be that easy. In that era, as I later found out, many places, including New York where most comic book people lived and worked, had very tough divorce laws. So you couldn’t say, “Why don’t these wronged people just get a divorce?” Actually they could, because before divorce laws were liberalized, proving adultery was the one surefire way to obtain a divorce. Then, as now, some people try to get around any kind of divorce by just murdering their spouse. Seems awfully extreme to me, but it is bread-and-butter to writers of horror, mystery fiction and true crime books.

These pages by Ghastly Graham Ingels are scans of original art from EC’s Crime Suspenstories #7 I found a few years ago on Heritage Auctions. What impresses me isn’t the shopworn triangle love/revenge plot, but Ghastly’s treatment. His gothic style made even something like the circus look creepy. His characters can be unattractive, causing one to wonder how they could be involved in an affair. But then, as I emerged from my cocoon of naïvete thanks to EC Comics, I found that adultery is more a crime of opportunity and less about meeting some good-looker who sweeps you off your feet.








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Number 1519: Sad, sad, Sad Sack

Người đăng: Unknown on Thứ Hai, 3 tháng 2, 2014

I’ve had many a day like poor Sad Sack in this story. I can relate.

From Sad Sack #18 (1952):











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Number 1518: Bad example

Người đăng: Unknown on Chủ Nhật, 2 tháng 2, 2014

Joe (also called Jack) Slade has either a bad reputation as a Western outlaw, or he wasn’t that bad, depending on who you listen to or what you read. If you google the name you get a couple of versions of the life and career of Slade. The story about Slade I’m showing today is strictly in the bad man camp. But that isn’t the reason I’m showing this story from Desperado #1 (1948). It has to do with the declaration by publisher Lev Gleason, shown here, as to an internal self-censorship code for their line of comic books.

As you can see, there are specific instructions to follow, like number 10, “blood must not be seen flowing from the face or mouth. . .” Then you turn to page 3 of the story and what do you see? Blood flowing from a face. The story is excessively violent; killings pile up, and despite instruction number 2, “sadism or torture . . . will not be accepted,” on the final page a panel shows a half-nude man tied to a tree in a snowstorm, kept alive “in the freezing air” while pleading for death. In the history of comic books and the late forties-early fifties response to calls for censorship or outright banning of crime comics altogether this response from a publisher, with its “much needed form of self-imposed censorship,” may be the most extreme fubar in evidence. Had Dr. Wertham seen this story and the attendant message he may have devoted a chapter of Seduction of the Innocent to the hypocrisy.

Oh yeah...one more thing as long as I’m complaining. I hate the gimmick of the gun telling the story. Anthropomorphizing an inanimate object — another outrage!














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