Kryptograms

Người đăng: Unknown on Chủ Nhật, 24 tháng 1, 2010

For a long time the Superman and Action Comics issues featured an advertisement for the Supermen of America. Kids were supposed to send in a dime and they would receive in return a membership certificate a button, and the Superman Code, with which they could decode Superman's secret message which appeared alongside the ad. For example, from Action #287:

You may recall that a Little Orphan Annie decoder pin story became a key plot element in the movie, The Christmas Story.

The code here was fairly easy to crack, with the alphabet simply offset by a certain number of letters; in this case it's 3 letters, so that a D should be read as A, E as B, etc. A, B and C are X, Y and Z, respectively. So decoding the entire message in this issue reveals the following:

This summer we will publish a giant Superman annual featuring stories of the planet Krypton.


And, as promised:

Two months later, in Action #289:

In this one, the alphabet is offset by 5 letters, so that F is A, G is B, etc.
Ultra-Boy is the newest member of the Legion of Super-Heroes. See the July issue of Superboy.


The messages were not always advertisements of coming attractions; they were often inspirational statements about doing your schoolwork, or getting plenty of fresh air and exercise.  For example, from Superman #68 comes this tip: "Keep healthy, cultivate a sense of humor, and learn to see yourself as others see you."

As far as I can tell, the planets mentioned at the beginning of the code have no real meaning.

Update: Snard in the comments points to this scan of the actual code key. Anonymous notes that the planets correspond to the numbers (Mercury 1, Venus 2, Mars 3) in terms of their ranking in terms of proximity to the sun, with the rather odd exception that Earth is omitted and Krypton becomes number 9.
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Trivia Quiz #39: Superman

Người đăng: Unknown on Thứ Năm, 21 tháng 1, 2010

1. Who came from the planet Wexr II?
2. Who came from the planet Staryl?
3. What was the name of the hover-car that Jor-El invented?
4. Who lived on the planet Htrae?
5. Why was Jax-Ur sentenced to the Phantom Zone?
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Rock Against Racism

Người đăng: Unknown on Thứ Hai, 18 tháng 1, 2010


Sometimes I underestimate DC in the 1960s. Awhile ago I noted the absence of black characters in DC comics during the Silver Age, but as you can see, there's one on the cover of this mag, from November 1965. And he's even more prominently featured on the splash page:

The story starts off in a clearing somewhere in Western Europe. Rock, Wild Man and a new recruit named Jackie Johnson (the black guy) have been captured by a Nazi squadron, and the biggest German is having a bare-knuckled brawl against JJ, who refuses to fight back. Why? Rock knows:

In a flashback we learn of the first time Rock had seen Jackie Johnson:

Johnson indeed proved to be a comer, eventually winning the heavyweight championship. But he lost a crucial match against this same German:

This is a thinly-veiled retelling of the Joe Louis-Max Schmeling rivalry; more on this at the end of the post.

In the story, Johnson didn't get his revenge match against the Storm Trooper, who went into the German Army, so this was their first meeting since the heavyweight fight. Later, Johnson joined Rock's unit in the Army, but was still haunted by his defeat in the ring:

But it looked like there would be no chance for a return match; after all the German fighter could be anywhere from France to Russia. But as it turned out they did meet, under less than optimal conditions, as the Americans were captured by the Storm Trooper's unit. And:

Bringing us up to where the story began. The Nazis make it clear that they will kill everyone if Jackie defeats the Storm Trooper, so the black man holds back. But:

The Nazis cannot tolerate this, so they shoot at both fighters, critically wounding the German, although Jackie manages to avoid the bullets. Rock and Wild Man attack their captors and reverse the situation. But the Storm Trooper needs a transfusion if he is to survive, and perhaps inevitably:

And in the end, the German realizes he was wrong:

Comments: Wow! What a terrific story! Kudos to Robert Kanigher and Joe Kubert for providing what must be considered one of the Silver Age's finest tales.

Joe Louis and Max Schmeling. In 1936, Joe Louis looked unstoppable at 23-0. Max Schmeling was a former heavyweight champion, but he had won his title via a disqualification of when Jack Sharkey hit him with a low blow. So Schmeling was considered just a tune-up before Louis boxed for the championship. But Schmeling had trained hard for the fight and noticed a flaw in Louis' style which he was able to exploit in knocking out the Brown Bomber at Yankee Stadium in the 12th round.

Here's how kids were taught the story at the time, from a text story in Superman #118:

The reality is much more complex, as the Wikipedia entry on the rematch notes:

Schmeling did not relish being the focus of such propaganda. He was not a member of the Nazi Party and – although admittedly proud of his German nationality – denied the Nazi claims of racial superiority: "I am a fighter, not a politician. I am no superman in any way." Schmeling had a Jewish manager, Joe Jacobs, with whom he refused to part despite significant pressure, and, in a dangerous political gamble, refused the "Dagger of Honor" award offered by Adolf Hitler. In fact, Schmeling had been urged by his friend and legenday ex-champion Jack Dempsey to defect and declare American citizenship.

Nevertheless, the Nazi regime exploited Schmeling in its propaganda efforts, and took careful steps to at least ensure Schmeling's nominal compliance. Schmeling's wife and mother were kept from traveling with him to avoid the chances of defection. Schmeling's entourage also included an official Nazi Party publicist. The publicist not only controlled any possible contrarian remarks by Schmeling, but also issued statements that a black man could not defeat Schmeling, and that Schmeling's purse from the fight would be used to build more German tanks.


Both Louis and Schmeling did serve in their respective military forces in World War II, although of course they did not meet during those years, on the battlefield or elsewhere. After the war, they became close friends, with Schmeling serving as a pallbearer at Louis' funeral in 1981.

Update: Here's a video of the second bout:
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The Story of Garth the Strong; The Captive; Garth In Space; The Doomsmen & The Gold of Ragnarock

Người đăng: Unknown

 Hello friends,

Sharing these strips at request of one of most active visitor OLD MAN MOZZ as sooner I could. Hoping you all will enjoy!

I found this information & these strips shared by Pete. All credits go to him.


He writes:

Garth is a UK comic strip which ran in the Daily Mirror from 1943 until 1997.

The strip is in the science fiction-adventure genre, Garth has traveled through time and space, met numerous famous people from history and even has a romance with Astra, the goddess of love.

The strip was created by Steve Dowling, an artist and writer for the Mirror, who worked on many of the strips created for the Mirror in the forties.

The art was by Dowling and John Allard until Dowling retired, after which Allard continued the art solo.

When Allard retired in 1971 the strip was continued by Frank Bellamy.

Prior to his work on Garth, Bellamy is most famous for his work in the UK weekly TV Century 21 where he drew the colour centrespread Thunderbirds strip, based on the Gerry Anderson tv show, from 1966 to 1969.

Bellamy worked on Garth until his untimely death in 1976 when Martin Asbury, another acclaimed UK artist, took over drawing the strip until it's conclusion in 1997.

Asbury also wrote the last seven stories.

On the writing side, the most notable writer of Garth is Peter O'Donnell who worked on Garth from 1953 to 1966. O'Donnell wrote some of the best stories in the series, including The Troll and The Rebels, an alternate Earth story where Garth is up against Adolf Hitler.

Recently the strip has made an online return on the Mirror's website.

This first upload contains several complete stories which have been scanned from the booklets available. They cover all the eras including the first digital story.

Garth In Space is from the Daily Mirror Annual 1970, drawn by the regular artists at the time, Steve Dowling and John Allard, and was scanned and edited by me.

The Gold of Ragnarock is the first story from the new online series. I edited the web pages but there were problems with the file, hence the fixed in the title. Thanks to Slinky who also did a second version.

The Doomsmen and The Beast of Ultor feature the work of Frank Bellamy.

The Captive is from 1957 and is written by Peter O'Donnell, with art by Dowling and Allard.

The Man-Hunt is the last story Frank Bellamy drew, and was finished by Martin Asbury.

Sapphire is by Martin Asbury.

The Story of Garth the Strong is a preview of the first Garth story.

In the paper it was just titled 'Garth', I have used the opening text from promotional material issued by the Mirror for a new title.

I am working on the first story using the scans from the Mirror's records. The upload of that should hopefully be later in the year,and will be followed by all the stories in chronological order.

Just like Garth himself this selection travels through time. If you like time travel, space adventure and great story and art, I hope you find something here to enjoy.
Hopeful you enjoy the stories as much as I did when I read them in my youth.


3 more strips shared by him are available HERE. I'll try to share rest as he'll put online.



  PREVIEW Garth 001 - The Story of Garth the Strong















 Garth - The Captive


 

 Garth - The Doomsmen




Garth - The Gold of Ragnarock(Fixed)
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Tarzan Daily Strips by Robert Lubbers & John Celardo (to be continued)

Người đăng: Unknown on Thứ Sáu, 15 tháng 1, 2010

Hello Tarzan fans!

As promised,  posting not only better and extended version of the daily strips by Robert  Lubbers  (1950-1954), but many more by John Celardo (1953-1968).

Thanks to Emile who downloaded every strip manually, now we can read this version.

The information available at www.erbzine.com & other sources regarding number of the panels had confused me. Thanks to  Col. Worobu this problem was solved.



00 -  Tarzan King of Duru - 3462 to 3511 (Incomplete)



01 - The Swamp People - 3512 to 357


02 - The Coffee Planter - 3574 to 3633


03 - The Cannibal Village - 3634 to 3689


04 - Gunnar Milo - 3690 to 3757


05 - The Hunter (8-27-51 to 10-15-51) - 3758 to 3800


06 - The Pirates 10-16-51 to 12-22-51 -3801 to 3858


07 - The Loggers 3-17-52 to 5-15-52 - 3931 to 3982


08 - Opar - File name: 3983 to 4056


09 - The Inheritance 8-11-52 to 10-13-52. - 3983 to 4111



10 - The Skull Clan 10-14-52 to 1-16-53 - 4112 to 4174


11 - The Rogue Elephant 1-17-53 to 3-23-53



12 - The Foreign Legion 3-25-53 to 5-21-53



13 - The Foaming Death 5-22-53 to 8-11-53


14 - The Terror of Kraka 8-12-53 to 10-22-53


15 - The Insect Men 10-23-53 to 12-22-53


16 - The Ghost Tribe


17 - The Blood Ruby


18 - Temple of Golconda


19 - The Zomangani


20 - The Austin Twins


21 - The Laver Affair 


22 - The Beasts of Tarzan


23 - The Sleeping Sickness


24 - The Elixir


25 - The Forbidden Mountains


26 - The Native Revolt


27 - Tarzan and the Jungle Boy


28 - Cyclops


29- The Katanga Mine


30 - The strong one 
 

P.S.: Years 200'x are reprints of the strips released in the 1949/50 and later. These are years 2000 to 2006 (incomplete). Emile is collecting Rest available with this resolution,  he'll share with us in near future.

*******************************
Earlier version:

Today I had some free time and was able to look at my Tarzan's e-collection. Sharing some old gems.  Think, many friends had missed these. Enjoy! 
According to links provided by Rafiq Raja (check comments of this post), these are works of Robert "Bob" Lubbers (born 10 January 1922).













or
All credits to unknown fan(s) for scanning.
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Fantastic Four Fridays: Apes on the Moon!

Người đăng: Unknown


I'm skipping ahead a few issues to get in a post for "Ape Week" as suggested by Silver Age Gold, although I will go back and do issues 11 and 12 in the next two weeks. Note that although this story features apes prominently, they do not appear on the cover.

As the story begins, there is an explosion in Reed's laboratory. He has discovered a new source of energy that will enable Americans to reach the moon ahead of the Soviets. I need hardly mention that the "space race" was in full swing by this time, with President Kennedy proposing a goal of reaching the moon before the end of the decade. Reed's source:

The latter incident refers to the famed Tunguska event of 1908, although the current theory is that it was a comet that hit the earth, and not a meteor. Reed traveled to Meteor Crater in Arizona and obtained a bit of the meteor's fragments, which contained his super-fuel. Reed resolves to make the trip alone, but you know how that idea went, and eventually he had to agree to take the whole team.

Meanwhile, we learn that the "Reds" are also working on the project. And they have some non-human workers:

He also has a babboon and an orangutan on his team. Kragoff knows that the FF derived their powers from cosmic radiation, and thus he intends to gain powers from his trip to the moon. The two missions blast off simultaneously.

The gorilla gains super-strength and the orangutan has magnetic powers, while the baboon can mimic anything (including inanimate objects). The Torch, who has flown over to inspect the communist ship (using a special suit that provides oxygen), observes the human/ape crew and their new powers.

The FF land in the "mysterious blue area" of the moon. This turns out to be the remnants of some past civilization, although there is a newer crystal dwelling that seems inhabited. It also conveniently has a breathable atmosphere, meaning that the FF won't have to wear bulky spacesuits.

Reed, Sue and Johnny head off towards the crystal dwelling, while Ben lumbers behind them. He encounters the three apes and Kragoff, who is now going by the moniker the Red Ghost. The name is apt as he is able to turn invisible and dematerialize. But as they are battling, a stranger shows up:

He explains that his home world is one vast computer, and that other Watchers such as he are spread throughout the galaxy, recording information (and presumably sending it back to the computer). They reportedly only watch, and never interfere, although subsequent appearances by the Watcher raise questions on that score. Since the FF and the Red Ghost and his apes are determined to battle, the Watcher sends them to another area where they will not involve his residence.

The Red Ghost strikes first, freezing Reed and:

Kragoff takes off with Sue. We also learn that perhaps his and the apes' powers are greater than those of the FF because they did not try to shield themselves from the cosmic radiation, and therefore were exposed to it for longer. Reed decides he will have to use brainpower and stays behind to examine the scientific equipment while Ben and Johnny attempt a frontal attack. Meanwhile, Sue has freed the apes from the prison where the Red Ghost is keeping them when they are not in use.

Reed creates a paralysis ray which holds the Red Ghost still. The Watcher proclaims the FF the winners in the battle, and mentions that he will still be watching, but from further away than the moon. But the apes manage to free the Red Ghost; will they now team up against our heroes? Nope:

Comments: A highly entertaining story. For the most part the FF stayed away from battling the communists, unlike some of the other Marvel characters (especially Iron Man). The ending is well-seeded with earlier scenes of Kragoff's brutality towards his apes.
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The Phantom - Ghost Who Walks #7 (Moonstone)

Người đăng: Unknown on Thứ Năm, 14 tháng 1, 2010




The Phantom - Ghost Who Walks #7 
 
  Download Link:

 
Credits to  GreenGiant-DCP for comics.
 
Links were posted by JRX at "You-Know-Where" or "It-Which-Must-Not-Be-Told". :)
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