44 Flash Gordon Spanish strips

Người đăng: Unknown on Thứ Tư, 21 tháng 7, 2010

Sharing today 44 Flash Gordon Spanish strips from Emile's e-collection. All credits go to her & original scanning persons. It's interesting we both don't read, however these attracted us. Many strips were published in Indrajal Comics. Hoping Indrajal fans will like to see once also.






Mediafire links:
























































































More about

Still More Schiff Recycling

Người đăng: Unknown on Thứ Năm, 15 tháng 7, 2010

I've talked a few times in the past about how editor Jack Schiff would take a story from Batman and run it in Blackhawk (or vice-versa). Here's another good example.

Consider these two covers:



And:



Not hard to see the similarities; in this case the Batman story was the earlier one, appearing in the March 1959 issue of that mag, while the Blackhawk version comes from December 1960. Both tales are "dream" stories; that is to say that they did not really happen, but were a dream of one of the characters; Robin and Lady Blackhawk. Both dreams end with disaster. In the Batman tale, Batwoman's identity is exposed, thus indicating to the world that Batman must be Bruce Wayne. And the marriage of Blackhawk and Zinda ends up causing the dissolution of the team.

At the end of the Blackhawk story (after Zinda has awoken from the dream), Blackhawk asks her to go out to the movies with him, but she has a better idea:
More about

Anthro #1

Người đăng: Unknown on Thứ Tư, 14 tháng 7, 2010



I confessed in the last post that I wasn't really familiar with this series, and decided to rectify that problem. A friend of mine had this issue and I borrowed it for today's post.

As you can tell from the cover, the story takes place in caveman days. It begins with Anthro and his brother, Lart, returning to the place where he has killed a mammoth (apparently in the Showcase #74 tryout issue). As they prepare to cut up the animal for its meat, they are attacked:

Anthro chases after the girl, leaving his brother behind. He has a little fight with her, in the course of which she bites him, proving to his dismay that she is a cannibal, but:

She explains that she attacked him because he killed the mammoth. She had raised the animal as her pet when its mother was killed by hunter. Anthro begs her forgiveness:

Meanwhile, his little brother is trying somewhat ineffectively to ward off scavengers trying to get the mammoth's meat. However, the carrion-eaters suddenly vanish, intimidated by a new presence:

Lart manages to kill the beast, but not before his leg is mangled in the battle. Anthro, forgetting all about the girl, carries his brother back to their camp, where the medicine woman heals his wounds as best she can. Unfortunately:

When Anthro explains that he was distracted by the girl, his father decides it is time for the young man to take a wife. He sends him to the camp where Anthro's mother came from, telling him to win the daughter of the chief.
Sure enough:

The tests he must pass include demonstrating his spear-throwing ability and his bronco-busting skills. It takes some effort:

But in the end he is victorious. However, Anthro forgot to read the fine print:

Of course, that's a bit of a wink at the modern audience; there's no particular reason to suppose that cavemen preferred skinny blondes. However, Anthro obviously does, and he takes off, with a warrior of the other tribe (and the girl) in hot pursuit. To be continued!

Comments: Wow! What a terrific comic! Excellent art, interesting characters, exciting situations and even a few moments of comic relief. What's not to like? I confess I found Post's inks a little overwhelming at first, but his style really grew on me. Incidentally, the cover scene is a bit of artistic license, as nothing like that ever occurs in the book.
More about

Cancelled Comics Cavalcade

Người đăng: Unknown on Thứ Hai, 12 tháng 7, 2010

DC did very well during the Silver Age, although the seed were sewn that would result in their well-documented struggles in the 1970s. But life for DC, as for all of us, was a process of death and regeneration, and so it might be interesting to look at the comics that dropped by the wayside in the Silver Age.

1955: Congo Bill. Short-lived effort to graduate the Action Comics feature to his own magazine.

1956: Frontier Fighters. DC's attempt to make money off famous Old West characters like Davy Crockett, Buffalo Bill and Kit Carson fails.

1956: It's Game Time. DC's bizarre entry into the puzzle magazine line lasts only four issues.

1956: Legends of Daniel Boone. Another Old West character fails to make a successful transition to comics.

1957: Dodo and the Frog. In the late 1950s and early 1960s, DC's funny animal series all crashed and burned with the exception of the Fox and the Crow.

1957; Nutsy Squirrel. Another funny animal series reaches its expiration date.

1957: Raccoon Kids. Bad year for funny animals.

1958: Big Town. One of DC's licensed series. Big Town featured the adventures of a crusading newspaper editor named Steve Wilson. The radio show lasted for 15 years, with the first five seasons featuring Edward G. Robinson in the leading role. The TV series picked up the tales in 1950 and lasted until 1956. The comic thus outlasted the TV series by well over a year.

1958: Buzzy. DC's long-running teen title comes to a close.

1958: Gang Busters. Another licensed series that had bit the dust a year earlier on the radio.

1958: Jackie Gleason and the Honeymooners. A licensed series that actually started after the TV show had gone off the air, although it would remain in syndication for many years and skits often appeared on Gleason's variety show in the 1960s.

1958: Leave it to Binky. Another teen title ends its run (it was brought back in the late 1960s for another brief series).

1958: Mutt and Jeff. DC's long association with the original comic strip characters comes to an end.

1958: Peter Panda. I talked about this funny animal series here.

1958: Robin Hood Tales. Public domain characters were even less successful than licensed characters.

1959: Adventures of Rex, the Wonder Dog. I commented on why comics featuring dogs were so popular in the 1950s; the cancellation of this title (after 46 issues) is a sign that the bloom was off the rose.

1959: Hopalong Cassidy. The film series ended in 1948, while the TV show disappeared in 1954.

1959: Mr District Attorney. Licensed title, dead show.

1959: New Adventures of Charlie Chan. Yet another licensed title.

1960: A Date With Judy. Another licensed title that had outlived the radio and TV shows it was based on.

1960: Flippety and Flop. Another DC funny animal comic drops by the wayside. This one was basically a rip-off of Sylvester and Tweety-Pie.

1960: Pat Boone. A teen idol for whom the hits stopped coming. I talked about the Pat Boone series here.

1960: Peter Porkchops. Another funny animal comic ends.

1960: The Three Mouseketeers. No, not Annette Funnicello and two of her buddies; this was a funny animal comic featuring rodent versions of Athos, Porthos and Aramis. (Corrected)

1960: Sergeant Bilko and Sergeant Bilko's Private Doberman. Two more licensed titles end after the TV show.

1961: All-Star Western. The comic that had early on been the home of the Justice Society (and featured the first Wonder Woman story), found its grave on Boot Hill, along with the rest of the Westerns.

1961: TV Screen Cartoons. Last issue of this variety funny animal title, which usually featured the Fox and the Crow on the cover.

1961: Western Comics. DC's Western variety series comes to a close, leaving Tomahawk as DC's only arguable oater (although the series was set in the Revolutionary days it shared many attributes with Western-style comics).

1962: Rudolph the Red-Nosed Reindeer. These comics were Christmas annuals, intended as stocking suffers.

1964: The Many Loves of Dobie Gillis. Yet another licensed series that had outlasted its original inspiration.

1965: Rip Hunter, Time Master. First failure of a Showcase-launched comic.

1966: All-American Men of War. This long-running magazine (originally derived from All-American Comics) never established a strong lead feature. Johnny Cloud, a Navajo pilot, seemed like a natural, but his series also ran into Batmania.

1966: Mystery in Space. Science fiction wilts from the pressure of Batmania.

1967: Captain Storm. Another of DC's war titles strikes out. I talked briefly about Captain Storm here.

1967: Sea Devils. The skin-diving fad exemplified by shows like Sea Hunt had faded.

1968: Adventures of Bob Hope. Another licensed title that had gotten a little long in the tooth. Hope's long and successful movie career was ending; it was getting hard for a 65-year-old man to credibly play the horny single guy that Hope had been typecast as at that point. Many of the Bob Hope comics are an absolute hoot, including some by Mort Drucker. I reviewed Bob Hope #85 here.

1968 Blackhawk. DC had inherited this title from the Quality Comics line, and basically ran it into the ground, with an ill-advised attempt to turn the Magnificent 7 into 007.

1968 Bomba the Jungle Boy. A short-lived effort to bring back a Tarzan knock-off from the 1920s.

1968: Doom Patrol. DC's version of the Fantastic Four turns out not to have staying power.

1968: Fox and Crow (last four issues named Stanley and his Monster). DC's longest-running and most successful funny animal strip finally meets its maker.

1968: Hawkman. Briefly continued in Atom-Hawkman. DC's flying hero is grounded.

1968: Inferior Five. DC's effort at a humorous knock-off of their superhero teams proves unfunny at the cash register.

1968: Metamorpho. DC's version of the tormented superhero/freak lasts only 17 issues.

1968: Plastic Man. DC's failed revival of the hugely popular and influential Golden Age classic probably ran into the revolt against camp.

1968: Teen Beat/Teen Beam. DC's ill-fated venture into teenybopper mags. I talked about these two issues last year.

1969 Angel and the Ape (last issue titled Meet the Angel). A platinum blonde and an ape try to make their detective agency work. A silly effort at humor, although I remember that at least one issue had Wally Wood art.

1969 Anthro. Howard Post's caveboy vanishes into history. I have not read any Anthro although it's been recommended to me a few times. (Note: The original post credited Joe Kubert; I should have remembered to look that one up, especially since I knew I wasn't familiar with the feature.)

1969 Atom and Hawkman. With sales of the two titles dwindling, DC hit on the novel idea of having the two share a magazine; in several of the issues the stories were teamups, while in others they were separate.

1969 Bat-Lash. A hippie in the old West? I've enjoyed the few Bat-Lash issues I read; they're funny and well-drawn by Cardy.

1969 Captain Action. DC's first foray into a comic based on an action figure. The comics actually weren't bad.

1969: Beware the Creeper. DC's short run with Ditko ends.

1969: Hawk and the Dove. Another Ditko title, this one exploring the lives of two brothers, one a ruffian and the other a peacenik.

1969: Metal Men. DC's offbeat robot title had been very successful in the mid-1960s, actually selling almost 400,000 copies per issue in 1966. But it crashed and burned to only 230,000 copies the following year, a staggering decline, which led to the inevitable (in the late 1960s) effort to turn it into a spy-oriented title.

1969: Secret Six. Yet another spy title fails to find its readership.

1969: Spectre. The last revival of a GA character comes to a close.

1969: Windy and Willy. DC updated some Dobie Gillis stories to try to cash in on the Archie teen craze inspired by the TV cartoon.

1970: Showcase. The launching pad had mostly sputtered lately.

As you can see, the 1968-69 period was a very bad one for DC. In mid-1969, DC raised its cover prices from 12 cents to 15 cents; this resulted in steep declines in circulation, which led to many of the titles being canceled or dramatically revamped.
More about

मुर्खता दिवस ( Single Iznogoud Comics Printed in Hindi) & 2 English: The Wicked Wiles of Iznogoud & The Caliphs Vacation

Người đăng: Unknown on Thứ Bảy, 10 tháng 7, 2010

एक खुशखबरी  है: अपने रफ़ीक भाई - जो पिछले साल से  पतिश्री की सफल भूमिका अदा कर रहे  हैं, ७ जुलाई २०१० से  पिताश्री की  भूमिका को  भी बहादुरी के साथ निभाना शुरू कर दिया है| पुत्ररत्न का नाम वो खुद ही समय आने पे बताएँगे|
मेरी  ऊपरवाले से पार्थना है कि "छोटे रफ़ीक" खलीफा हारून की तरह  सौम्य और  सौभाग्यशाली नायक हों, जिनपे Iznogoud स्वरूप  लोगों की बुरी नियत से तनिक भी आंच ना आये|
हम सभी की तरफ से उनके सम्पूर्ण परिवार को हार्दिक बधाइयाँ! 







इस खुशी के पल में प्रस्तुत है,  अनुराग भाई के अनमोल खजाने से एक अति दुर्लभ कॉमिक: 
हिंदी में एकमात्र प्रकाशित  Iznogoud कॉमिक - मुर्खता दिवस


इस किरदार के लेखक   Rene  Goscinny कृत  Astérix और Lucky Luke को कौन नहीं जानता है|  वैसे तो अभी तक मात्र २८ फ्रेंच में छपे हैं|  भारतवर्ष में १२ अंग्रेजी में उपलब्ध हैं,  १२ और भी जल्दी ही आने वाले हैं| लेकिन न इससे पहले, न ही इसके बाद हिंदी पाठकों को यह सौभाग्य हासिल हो पाया है| 

स्वर्गवासी रेने की तरह शायद ही कोई ऐसा कॉमिक्स लेखक है जिसके तीनों किरदार इतने  सालों बाद भी  विश्व के लोकप्रिय कॉमिक्स नायक हों|  ये किस श्रेणी की कला हैं कहने की जरुरत नहीं, इन कॉमिक्सों को किशोरों से बुजुर्ग वर्ग तक पढ़ने में तनिक भी संकोच नहीं करता |

सार: बगदाद  के बेहद ही सौम्य खलीफा Haroun El Poussah (हारून अल पौस्साह) का प्रिय प्रमुख वजीर Iznogoud है| लेकिन उसके  जीवन में एकमात्र उद्देश्य है, खलीफा हारून का पराभव और खुद ही  खलीफा बनना
 
वैसे तो खलीफा की नज़र में  उसका प्रमुख वजीर  हमेशा वफादार अनुयायी रहता है, लेकिन कैसे अपना ही हर दाव Iznogoud पे उल्टा बैठता है, इस सम्पूर्ण कॉमिक्स की श्रृंखला का अभिन्न अंग है| कहने  को तो कॉमिक्स है, परत्नु क्या  वास्तविकता में हम ऐसे लोंगों को अपने आस-पास नहीं पाते हैं? ;)


खैर ये कहानी फिर कभी, आज समय है ख़ुशी मनाने का|
इस श्रृंखला के  बारे में कुछ विशेष विवरण रफ़ीक भाई के ब्लॉग पे उपलब्ध है:  कृपया यहाँ क्लिक करें 


  Image and video hosting by TinyPic                              Welcome to BOOKS and COMICS  


यह कॉमिक अनुराग द्वारा स्कैन की गई है, सारा श्रेय उनको जाता है| सफाई करने में मेरे कुछ पल भी शामिल हैं|

Update 24th July 2010:  Yash aka Maverick has provided two English links. All thanks & credits to him and original scanning person(s).










The Wicked Wiles of Iznogoud








Iznogoud-The Caliph's Vacation
More about

D2-017 The Swamp-Girl

Người đăng: Unknown on Thứ Sáu, 9 tháng 7, 2010

Writer: Harvey Kurtzman
Art: Dan Barry

Summary:  Addressing a prestigious convention for space scientists, Dr. Zarkov narrowly escapes assassination, but a note left behind by the perpetrator saying ‘Lisa is dying, come at once’ alters the scientist’s demeanour completely.

Blasting off with his friend to the uninhabited swamp-planet Malagua the very same evening, Flash is about to learn a fascinating secret from Zarkov’s past before being thrust into a dangerous game of betrayal and revenge - and a desperate battle for survival...
(Source of summary: www.ipcomics.net) 

 Image and video hosting by TinyPic 

It's from Emile's e-collection. All credits go to her & original scanning person.
More about

Fantastic Four Fridays: Ant-Man and Doom

Người đăng: Unknown



Another mediocre cover. Yes, the general image of Doom holding the FF in his hand is pretty dramatic, but the details are boring. The Thing is shaking his fist at Doom and that's about the most interesting reaction. Sue's doing the "hands in the air" surprise thing, and Johnny, having forgotten, he can fly is climbing up Doom's index and middle finger. Reed just looks askance at the Metal Monarch. And who's conveniently holding that magnifying glass so we can see Ant-Man?

As the story opens, Johnny is startled to find his teammates much diminished:

So he welds the duct closed and the other members of the FF regain their normal size. It turns out that all of them had experienced the same thing briefly a day or so before, but were worried that the other members would think them nutty if they revealed their experience. Because, you know, it's too fantastic even for the Fantastic Four.

Reed brainstorms and comes to the conclusion that maybe Ant-Man could help them. But how do they get in touch with him? Well, little do they know that ants in the room send out a message that Hank Pym receives and responds to:

He gives them a reducing liquid and an enlarging liquid to use to discover who's changing their sizes. Reid even wonders for a moment:

Of course, we have the benefit of having seen the cover, and those who had been around for FF #10 remember how it ended with Dr. Doom apparently shrinking away to nothingness.

But the story meanders on for another couple of pages. Reed tries another formula to change the Thing back into Ben Grimm, Johnny shows the kids how he can sear a hot dog with his flame-balls, Sue tries some perfume to deaden the scent of dogs (who are apparently the only things that can sense her presence). Then a voice warns them all to flee because Dr. Doom is on the loose again. So they take the shrinking solution, and descend down into the miniature world:

Well, it's certainly convenient that the FF happened to end up that close to Doom. But when they try to attack him, he shrinks them further. Then follows the madman recap of how he came to the micro world, gained the trust of the King and his daughter, then shrank them down and took control. And now he's going to turn the FF over to the Tok people from another world. The Toks will press the FF into service in their army. Well, all except one of them:

That's a pretty harsh assessment of Sue's value as a member of a fighting force; surely they could show her slipping past guards and opening the gates to a major invasion?

Anyway, the FF are imprisoned along with the King and his daughter, whom Johnny has his eye on. The prison is under an acidic sea, so they can't just bust out. But Sue (!) has an idea:

So they construct a small pod out of the material used to construct the walls, then bust loose. Meanwhile, Ant-Man has shrunk down to join them, but is also imprisoned by Doom. Sue once again comes through:

Doom, realizing that the FF free endangers him, flees back to the normal world. Johnny has a tender parting with the princess:

That plot thread was never picked up in the Silver Age, although Pearla did return much later.

And we learn that this story (although reasonably self-contained) will be continued in the next issue.

Comments: Although the story takes a long time to get going, and although there are no real battle scenes with Doom, I do like the sudden emergence of Sue as a valuable member of the team; perhaps the bit about making her a scullery maid lit a fire under her. The coloring is somewhat inconsistent; Pearla's hair is gold and brown earlier, and then green at the end.
More about