Number 1548: Thug and the Goodguy

Người đăng: Unknown on Thứ Tư, 26 tháng 3, 2014

Alan J. (Jim) Hanley was a cartoonist who had a most appealing style inspired by the early Fawcett Comics and C.C. Beck, with some Walt Kelly thrown in. Hanley was not only a talented cartoonist, he had a social conscience and incorporated it into his Goodguy character, the star of his fanzine, Alan Hanley’s Comic Book.

In this strip, which ran for seven weeks in the mid-'70s in weekly two-page installments of The Buyer's Guide for Comic Fandom, Hanley's satiric target was the trend toward more violence in the comic books, represented by Conan. His humor is never acerbic or bitter, but he makes his point.

Hanley died tragically in a car crash at age 42 in 1980. When I looked up Hanley for this blog the first listing I found for him was my own from 2008. You can read it here in Pappy's #258. It includes a tribute from his friend, cartoonist Jim Engel.















Eddie Eddings is another cartoonist who impressed me with his very funny strips in The Buyer’s Guide, also in the mid-'70s, and in this instance, also satirizing Conan the Barbarian. Eddie is still as funny as ever. He has a religious blog, Calvinistic Cartoons. Even if you’re a heathen like me you can enjoy it for Eddie’s sense of humor.




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Weisinger's Fingerprints All Over 1958

Người đăng: Unknown on Thứ Hai, 24 tháng 3, 2014

I wrote awhile back that I had read all the Action issues from #230-#240 and could not really note any discernable change in the editorial style until #241, the first issue that bore the unmistakable imprint of Mort Weisinger's heavy hand.

Well, I was wrong, and I was wrong because I had not read many of the issues that came before #230.  Looked at in context, it is easy to see that Weisinger was intimately involved in the Superman stories of 1958 (and even earlier), and that these stories presage the Silver Age Superman to a very large degree.

Let's start with Action #231, from August 1957:
This was an unusual story for Action, as it heavily featured Jimmy Olsen, who despite his billing as Superman's Pal in his own magazine, was definitely second fiddle (or possibly fifth clarinet) to Lois Lane as a supporting character in any of Supe's main mags.  Weisinger regularly published stories in Action and Superman that featured Jimmy and Lois, stories that clearly belonged in their own mags.  But he was cross-selling; making the Superman readers more interested in the other characters as well.

Although it is not mentioned in #232, Jimmy Olsen's signal ring started popping up in Superman stories starting with Action #236:
The DC Wikia says that Jimmy's signal watch first appeared in Action #238, which is clearly wrong; aside from the earlier mention above, it was actually mentioned in every story of Jimmy Olsen #1, which came out three years earlier, and used in Jimmy Olsen #2>

Superman had used occasional robots over the years, but this was probably the first serious one:
But even that one required Superman to control it remotely with his X-ray vision.  Far more independent robots were coming soon.

So I was wrong to say that Weisinger's touch was not evident in Action #230-#240.
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Number 1547: From that wonderful artist who brought you Casper the Friendly Ghost and Richie Rich...

Người đăng: Unknown

I’ve shown another crime story (check the link under this story) by Warren Kremer. He is probably best known as being the master cartoonist who for years drew Casper and Richie Rich, Stumbo the Giant and other Harvey Comics characters. In his early career Kremer was known to do crime stories, and also did work as designer of some of the most gruesome early ’50s horror covers for Harvey Comics.

“Frisco Mary” is from Ace Comics’ Crime Must Pay the Penalty #37 (1954), which is a reprint from issue #3 (1949) of the same title.











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More Kremer crime. Just click on the thumbnail:


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Number 1546: The sexy slave girl

Người đăng: Unknown on Chủ Nhật, 23 tháng 3, 2014

Considering the pulchritude of Malu, the slave girl of the book's title, you just know this book flew off the racks in 1949. It has a great cover with chesty Malu in a harem costume. This was hot stuff then, and it is hot stuff now.

So why then did this title only last two issues from Avon? I don’t know for sure, but the forces against comic books were gathering and there were some public burnings of comics. Maybe the publisher felt the heat from those fires. (Although a few years later in the early '50s Avon was right there with much maligned crime and horror comics, so at this late date who really knows.) I can picture a young guy looking at this comic in the drug store, thinking the title is provocative...she’s a beautiful, sexy girl...and she’s a slave girl so she has to do what her owner wants...oh hell yeah! “Hey, gimme a dime so I can buy a comic book!”

Malu lasted one more issue. Number 2 is re-titled Slave Girl Princess, with a less provocative cover. Maybe I’ll get around to showing that sometime.

Howard Larsen did the cover and first story of this issue, but the rest of the book looks like some other artists had their hands in.






























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